P - Woodwind5.com

Brandt’s Woodwind Quintet List – P

Browsing the P’s:

Arvo Pärt
George Perle
Vincent Persichetti
Ivo Petric
Astor Piazzolla
Gabriel Pierné
Francis Poulenc
Sergei Prokofiev
Giacomo Puccini
Henry Purcell
Francis Pyle – bottom of page

Pable, Luis de

SEE de Pablo, Luis

Pachelbel, Johann (1653-1706)
arrangements

Canon (arr. by Don Stewart)

Trillenium/Dorff ?

Canon (arr. Daniel Dorff)

Bryn Mawr, PA: Theodore Presser, 1985

Canon in D (arr. Robert Wall)

Salem, CT: Cimarron Music Press cimarronmusic.com

Canon in D (arr. Ray Thompson)

Published by the arranger; see Boston, MA.: Ione Press

The arranger states, “Arranged for wind quintet in the original key of D. Alternative Clarinet in Bb provided. I have attempted to give the wind players somewhere to breath, by dovetailing the melodies between all the instruments. The bass line is shared amongst horn, clarinet and bassoon.”

Canon in D (arr. Frank Halferty)

Kendor Music Inc.

Although Pachelbel’s famous Canon is a nice piece, the quintet world doesn’t really need five (or more) arrangements of it. Pachelbel also wrote a lot of other more substantial music that deserves to be known. (Granted, until this site, probably nobody knew there were so many versions.) Arrangers, please travel beyond the obvious, if you can. [ Andrew Brandt ]

Paciorkiewicz, Tadeusz (1916-1998)

Kwintet (Quintet for 5 Wind Instruments)(1951)

Warszawa, Poland: Wydawn. Muzyczne Agencji Autorskiej, 1979

Duration: 12:00. Movements: Allegro; Lento; Allegro scherzando (e molto rustico). The work is dedicated to the Polish composer Kazimierz Sikorski. See the composer’s website: http://www.paciorkiewicz.pl/ (in Polish and English).

Preludium (1980)

also:

Music for Harp, Flute, Oboe, Clarinet, Horn and Bassoon (1963)

Krakow: Polskie Wydawnictwo Myzyczne, 1970

Duration: 12:00. Movements: Moderato; Allegro; Comodo; Quasi scherzando; Presto. There is also a version for piano and woodwind quintet of 1972.

According to the composer’s website, “The piece is [the] composer’s tribute to French impressionists and has a lot of stylistic allusions referring to them.”

Decet (1987-1988) for woodwind and string quintets

For woodwind quintet and 2 violins, viola, cello, double bass. Duration: 8:00.

Cut-outs of Sea Foam for children’s choir and woodwind quintet (1957)

Cracow: Polskie Wydawnictwo Muzyczne

5 songs. Text by Włodzimierz Słobodnik (in Polish).

See also Paciorkiewicz’s sextet for quintet and piano (his arrangement of his sextet for winds and harp).

Padding, Martijn(1956- )

Kwintet (1996)

Amsterdam: Donemus

Duration: 7:00. Padding’s Quintet was written for amateur ensembles and may be performed by a variety of instrumentations which are not specified on his website. See also the composer’s website: http://www.martijnpadding.nl/ .

Pádua, Newton (1894-1966)

Bläserquintett

Newton Pádua was a Brazilian composer and teacher, which makes the title in German slightly strange.

Pagan, Michael (1958- )

Impromptu, Chorale and Fugue (1984)

New York: American Music Center

This work won first prize in the New Music for Young Ensembles 1984 Composers Competition. Pagan is mainly a jazz composer, with a few works for non-jazz ensembles. See https://www.michaelpaganmusic.com . Not to be confused with the actor and screenwriter, Michael J. Pagan.

According to press quotes on the composer’s website, Tim Page, in the New York Times, described a performance of this work as “Bright, modest neoclassicism… played with energy and flair.”

Fanfare for double woodwind quintet

Paganini, Niccolò (1782-1840)

Caprice No. 24 (ca. 1805) (arr. Allan Blank) for double woodwind quintet.

New York: Associated Music Publishers

Paisiello, Giovanni (1740-1816)

Recitativ e Duetto “Ne’ giorno tuoi felice” from the opera “Olympiade” (1786) (arr. Fr[iedrich] Witt) for double woodwind quintet

Manuscript available in the Oettingen-Wallerstein’sche Hofbibliothek, Ms 421.

The opera Olympiade was written in 1786. This arrangement appears to have been made in 1789.

Paladi, Radu(1927-2013)

Cvintet de Suflători (Woodwind Quintet) (1967, revised 1993)

Bucureşti: Editura Muzicală [Bucarest: Editura Muzicala], 2014

Movements: Allegro scherzando; Lamento; Presto. Grove Music Online gives the 1967-1993 dates for this quintet. Wikipedia lists a Wind Quintet of 1998, which might be a second quintet or a wrong date. It appears to have been only published posthumously.

Palkovsky, Oldrich (1907-1983)

Bläserquintett Nr. 1, Op. 21 (1949)

Woodwind Quintet No. 2 (1958)

Prague: Cesky Hudebni Fond (Czech Music Foundation) /

Hudebni Informacni Stredisko http://www.musicbase.cz/ available for rent, See https://noty.hudebnifond.cz/en/composers/detail/785?seo=palkovsky-oldrich

Duration: 20:00.

Woodwind Quintet No. 3, Op. 54

Hudebni Informacni Stredisko http://www.musicbase.cz/ available for rent

Music for Wind Quintet, Op. 57 (1973)

Hudebni Informacni Stredisko http://www.musicbase.cz/ available for rent

Tri kusy pro 5 nastroju (Three pieces for five instruments?), Op. 63 (1976)

Hudebni Informacni Stredisko http://www.musicbase.cz/

Woodwind Quintet No. 4, Op. 73 (1979)

Hudebni Informacni Stredisko http://www.musicbase.cz/ available for rent

also:

Sextet, Op. 78 (1981) for woodwind quintet and second clarinet.

Hudebni Informacni Stredisko http://www.musicbase.cz/

Palkowski, Daniel(1955- )

Still Life with Wind (1985) for double woodwind quintet

There is doubling on piccolo, English horn, bass clarinet and contrabassoon. This was written while the composer was pursuing a doctoral degree at Columbia University. See also: http://itp.nyu.edu/~dhp1/resume/resumeindex.htm and http://www.dpalkowski.com

Pałłasz, Edward (1936-2019)

Bajki: na kwintet dety (Fairy tales: for wind quintet) (1972)

Krakow: Polskie Wydawnictwo Muzyczne, 1976

Duration: 11:30. Includes performance instructions in Polish, English and French. If searching, note that in some European languages “woodwind” and “brass” instruments are sometimes lumped together into one term (like English “winds”) which leads to some confusion. This work clearly is a woodwind quintet.

Marchen

Recorded by the Da Camera woodwind quintet of Warsaw on Diepholz, Proviva label in 1985. It is possible that this is a movement of the previous work.

Palmer, Lauree H. (1965- )

The Classic Quintet (1990)

Available from the Composer: 5642 Delintry Dr., Apt. F, St. Louis, MO 63129. (Links to her website no longer seem to work and I can’t guarantee the address does, either.)

World premiere: Webster University, 1991.

Palmer, Robert(1915-2010)

Quintet (1951)

New York: Independent Music Publishers, 1951

Not to be confused with the American writer Robert Palmer (1945-1997), who also has an article in Grove Music Online. Nor should this woodwind quintet be confused with the composer’s quintet for clarinet, piano and strings.

Palmieri, Dante(1987- )

Lotmarii (2012)

Duration: 7:00. Bassoon doubles on contrabassoon. See: http://www.toxpub.com/DantePalmieri . If that link no longer works, contact the composer on LinkedIn.

Dante Palmieri writes, “This piece is an exploration of basic adaptions of the Mallalieu row that alternates with a ritornello. It was commissioned by my friend and bassoonist Phelan Young.”

Pan, Hwang-Long (Pan Huanglong) (1945- )

Formosa Landscapes (1987)

Duration: 8:30. From the NCAF Taiwan Composers Database, which offers the first page of the score as a PDF. Part of a 1987 series of different works with the same title but for different instrumentations. Series title: Taiwan zuo qu jia yue pu cong ji., III.

Yin-Yang II (1992) for Narrator, 6-part mixed chorus and woodwind quintet

Duration: 4:15. Part of a series of works for choir and varied ensembles. From the NCAF Taiwan Composers Database.

Pann, Carter (1972- )

Quintet for a Day, Six Snapshots of Day-to-day Life (2012)

King of Prussia, Pennsylvania: Theodore Presser Company

Duration: 17:00. Movements: Americano; Apology; Adjusting the Torque; Sun Spot; Commute; Embrace, to Sleep. Written for the West Coast Wind Quintet.

Panozzo, Angelina

Distance (2012)

Owl Press; see also http://www.sheetmusicplus.com/

Duration: 5:00. See also http://www.angelinapanozzo.com/ or https://angelinapanozzo.musicaneo.com/pt/about.html

The Harbingers for woodwind quintet and trumpet

Owl Press; see also http://www.sheetmusicplus.com/

Panufnik, Andrzej, Sir (1914-1991)

Quintett (1953) for flute, oboe, 2 clarinets, bassoon

Krakow: Polskie Wydawnictwo Muzyczne, 1954

Revised as Quintetto accademico in 1956.

Panula, Jorma (1930- )

Parttenkoliaaset puhallinkvintetolle

Artemusa

A Finnish composer and conductor, he taught many of the leading Finnish conductors known around the world.

Jaakko kulta puhallinkvinettille (Frere Jacques wind quintet?) (arr. Jorma Panula)

Artemusa (see also Helsinki: Music Finland http://musicfinland.fi/en/)

Peltoniemen Hintriikin surumarssi puhallinkvintetille (arr. Jorma Panula)

Artemusa

Säkkijärven polkka puhallinkvintetille (arr. Jorma Panula)

Artemusa

Papageorgiou, Dimitri (1965- )

Tesselations (2000)

Available from the MidAmerican Center for Contemporary Music

Duration: 15:00. See also: https://dimitripapageorgiou.wordpress.com

also:

Org (1986) for flute, alto flute, oboe, tenor saxophone, clarinet, bass clarinet, horn and bassoon

Duration: 23:00. World Premiere: January 21st 1987, at the Grazer Kongress Kammermusiksaal, Graz, Austria.

Papandopulo, Boris (1906-1991)

Three Movements (1954)

A Croatian composer and conductor. Although there are several recordings of his works (including trio d’anches), I have found no publication info.

Mali Koncert (Little Concerto) (1971)

also:

Concerto Grosso (1971) for woodwind quintet and orchestra

Chamber Concerto (1986) for woodwind quintet and violin

Papineau-Couture, Jean (1916-2000)

Fantaisie pour quintette à vent (1963)

Don Mills, Ont.: BMI Canada, 1968

Toronto: Berandol Music Ltd., 1968

Duration: 12:15. Commissioned by the Société Radio-Canada for the Keetbaas Players in Winnipeg. Recorded by the Quintette à vent Estria.

also:

Automne (1992) for woodwind quintet, string quartet and double bass.

Septet (1997) for flute, oboe, clarinet, bassoon, violin, viola and cello

See also Papineau’s piano quintets with woodwinds.

Parać, Frano (1948- )

Scherzo za duhacki kvintet (Scherzo for Woodwind Quintet)(1985)

Zagreb: Ars Croatica Drustvo skladatelja hrvatske, 1986

Parcel, Jim

London Bridge

Eighth Note Publications; see also http://www.sheetmusicplus.com/

See also: https://www.windmusicsales.com

A set of variations on “London Bridge is Falling Down” with quotes from other pieces, too.

Parchman, Gen Louis (1929-1992)

Sonata for Woodwind Quintet (1966)

New York, Seesaw Music Corp. 1971

This may be the “Jazz Sonata” listed in Wikipedia.

Pardo, Pedro (1974- )

sognaT (2006) for flute, oboe, clarinet, bassoon, cello and double bass

Barcelona: Periferia Music, 2007

Full name: Pedro Pardo i Bañeres. It took me longer than it should have to figure it out, but the title is “Tangos” backwards.

Pardo i Llungarriu, Miquel (1959- )

Caustica (1988) for woodwind quintet, piano, bass, percussion

Duration: 10:00. See also: http://www.accompositors.com/compositores-curriculum.php?idComp=107

Divertiment (1989) for flute, oboe, clarinet, bassoon and guitar

Miquel Pardo Edicions

Duration: 8:00. Movements: Aire; Lament; Rèplica.

Pardus, William

Variations on the Krakowiak

Salem, CT: Cimarron Music Press cimarronmusic.com

A Krakowiak is a fast syncopated Polish folk dance that became popular in Europe alongside the Polonaise and the Mazurka. It is named after the city and region of Krakow. See the Wikipedia article to learn more. This work appears to have been also arranged for brass quintet. [Andrew Brandt]

Winds Through the Bluegrass

Salem, CT: Cimarron Music Press cimarronmusic.com

Suite for woodwind quintet

Marlborough, New Hampshire: Creation Station, 2004

Commissioned by the New Hampshire Music Teachers’ Association and the National Music Teacher’ Association. Duration: 7:45. Movements: I. Overture] II. Romance; III. Polka.

Parfrey, Raymond (1928-2008)

Abbey Voices

Kingussie, United Kingdom: Phylloscopus Publications, http://www.phylloscopus.co.uk/

For woodwind quintet, with substitute parts (alto sax for horn and cello or bass clarinet for bassoon).

The brief score excerpt suggests that the work is intended for the novice to intermediate woodwind quintet.

Paribeni, Giulio Cesare(1881-1964)

Suite in tre tempi

There seems to be some difference of opinion whether Paribeni died in 1960 or 1964, with most reliable resources saying 1964.

Parik, Ivan (1936-2005)

Seen Closely above the Lake for speaker, wind quintet, piano and string quartet (1979)

Bratislava: udebni Musik Fond

See Slovak Music Information Service: http://www.his.sk/

Duration: 7:00. There is also a version for orchestra. (Note that Musicanet.org gave his birth/death dates as 1938 to 1936, so he *might* have died younger than he was born?)

Park, Bill (?-2013)

Music for Woodwind Quintet

Festus, Missouri: JPM Music Publications, 2005

Arrangements of:

La Morisque by Tielman Susato

March by Franz Joseph Haydn

Dona nobis pacem

March from Ode to St. Cecilia by George Friedrich Handel

Psalm 19 by Cesar Cui

Parker, Charlie (1920-1955)

Yardbird Suite (1946)(arr. Edmund Cionek)

Performed by the Quintet of the Americas.

Parker, Jim (James Michael) (1934- )

Mississippi 5

London: Faber Music

Movements: King Oliver Steps Out; Blues for Johnny Dodds; The River Queen; Le Tombeau de Bessie Smith; Les Animaux. Duration: 15:00. Recorded by the Albion Ensemble on PROUDSOUND RECORDS (Oxford, England) as PROU CD142.

Ron Klimko, in a review in The Double Reed, described the recording as “a tour-de-force romp. It is a five-movement ‘…appreciation of the talent, originality and exuberance of the early jazz musicians working in New Orleans and on riverboats on the Mississippi.’”

Boulevard

Oakham, Rutland, United Kingdom: Brass Wind Publications

Movements: Street Band; The Beggar’s Dog; Ladies at Lunch; Death of an Organ Grinder; Three Cheers for the Band.

The work is based on the storyline: “A boulevard at lunchtime in a city. A streetband appears, playing a lively piece. A beggar and his dog are sleeping on the pavement The dog wakes up and ignores the band but his attention is drawn to an organ grinder playing a sad song in another part of the street. He goes to investigate but soon gets bored, returns to his owner and falls asleep again. Further along the street two ladies are having lunch and are having a serious conversation about their children, their husbands and the results of an expensive but triumphant morning spent in the shops. The organ grinder is still playing his sad melody but appears to be having respiratory trouble. This gets progressively worse until finally he expires on the pavement and departs to the great organ grinders’ convention in the sky. There is consternation and sadness from the assembled crowd but life goes on. The band strikes up a fast number with a Latin beat and a hat is passed round for contributions. The crowd is generous with its applause but is suddenly afflicted with myopia and deafness when asked for money.”

Parker, Michael (1948-2017)

Chole (Cholê), Op. 17 (1975)

Toronto: Canadian Music Center

Duration: 15:00. Commissioned by Array through the Ontario Arts Council. Recorded by the York Winds. See also: http://www.thecanadianencyclopedia.ca/en/article/michael-parker-emc/ [Not to be confused with Michael T. Parker (music production) or the rapper Michael Parker.]

Ode for winds, Op. 31a (1984)

Toronto: Canadian Music Center

Written for the 25^th anniversary of the Canadian Music Centre. }Duration: 2:00.

Three Humours, Op. 45 (1991)

Toronto: Canadian Music Center

Commissioned by the CBC for the Aeolian Winds. Movements: Phlegmatic; Melancholy; Sanguine.

Parkinson, Paul (1954-2016?)

Wind Quintet (1978)

British Music Information Center, https://britishmusiccollection.org.uk/score/wind-quintet-29

Parkinson, Tim (1973- )

Quintet (1997)

British Music Information Center,

Duration: 15:00. Requires clicktracks. Composer’s website: http://www.untitledwebsite.com/ (Yes, really, that’s the website’s name.) Mr. Parkinson appears to have a habit of using generic names for his titles, including untitled(a), untitled(b), etc. Hence the generic titles of his website and of his woodwind quintet. Counterintuitive from a marketing perspective.

also:

untitled winter 2002 (2002) for flute, English horn, clarinet, bassoon, trombone and violin

From the composer? See https://www.untitledwebsite.com/work

Duration: 10:00. Premiered by the London Sinfonietta on April 28, 2002 in London.

Parodi Ortega, Luis Félix

Me irrita el mundo (1990)

Manuscript score (not parts) available under a Creative Commons license from the International Music Score Library Project. http://imslp.org/wiki/Main_Page

Parotti, Sergio (1956- )

Wind Quintet #1, Op. 6 (renumbered? Op. 2, No. 3)

See http://www.sergioparotti.com.ar/

Duration: 4:00. On his website, Mr. Parotti appears to have redone his opus numbers from earlier catalogs. I have included both opus types.

Quinteto de Vientos No. 2, Op. 75 (1991) (Op. 7, No. 22)

Barcelona: Periferia Music, 2008

Duration: 5:51.

Wind Quintet No. 3, Op. 173 (Op. 11, No. 4)

SeeSee http://www.sergioparotti.com.ar/

Duration: 5:00.

Wind Quintet No. 4, Op. 197 (Op. 12, No. 5)

See See http://www.sergioparotti.com.ar/

Duration: 5:00.

Wind Quintet No. 5, Op. 300 (Op. 19, No. 8)

See http://www.sergioparotti.com

Parlow, Albert (1824-1888)

Amboss Polka, Op. 91 (1864) (arr. Thomas H. Graf)

http://the-hit-factory.com/ See also http://www.sheetmusicplus.com/

Parmerud, Åke (1953- )

Reed my lips (1990) for woodwind quintet and computer

Stockholm: Svensk Musik

For quintet & computer controlled sounds.

Parris, Herman M. (1903-1973)

Woodwind Miniatures [15 Miniature Abstracts]

Philadelphia: Henri Elkan Music, 1956 (now Elkan-Vogel)

The composer was a practicing physician. According to Arthur Cohn, “The Literature of Chamber Music,” several of Herman Parris’s works were ghost-written.

Parris, Robert (1924-1999)

Sonatina for Winds (1954)

New York: American Composers Alliance, 1957

Duration: 10:00. A collection of his later works is included in the Robert Parris Music Manuscripts collection at the Library of Congress, but apparently not this earlier work.

Parrott, Horace Ian (1916-2012)

Wind Quintet No. 1 (1947-48)

Premiered in Birmingham, England, May 6, 1949

Wind Quintet No. 2 “Fresh about Cook Strait” (1970)

Lancaster, UK: Phylloscopus Publications, http://www.phylloscopus.co.uk/ (no longer in catalog but I would ask them to check their archives)

Premiered in Cardiff, Wales, May 14, 1971. Although born in London, he made Wales his adopted home and insisted on being considered a Welsh composer and teacher. Perhaps a Welsh musicologist could help find the scores and parts for these works?

Somethin’ Stupid Flexible Wind Quintet

London: Boosey & Hawkes, www.boosey.com

The flexibility is in instrumentation, where each of the parts can be performed by a variety of wind and brass instruments. See boosey.com for a list of all the possibilities.

Parry, Charles Hubert Hastings (1848-1918)

“Music, When Soft Voices Die” (arr. Bill Schuetter)

Imagine Music; see also http://www.sheetmusicplus.com/

From a song based on a poem by Percy Shelly. Duration: 1:50.

Nonet in B-flat, Op. 70 (1877)

Siegertshofen, Germany: Floricor Editions, 2005 http://www.floricor-editions.com/

Amsterdam: Edition Compusic, 1988

For flute, oboe, English horn, 2 clarinets, 2 bassoons, 2 horns. Movements: I. Allegro; II. Allegro Molto (Scherzo); III. Largo; IV. Finale. Duration: 24:12.According to the publisher, this is “a symphonic work with cyclic distinctions; built on themes that echo the music of Wagner’s Mastersingers of Nürnberg.” Recorded by Capricorn on the Hyperion label in 1987.

Written before the Dvořák Serenade (1878), Richard Strauss’s Serenade in E^♭ for 13 winds (1881), and Gounod’s Petite Symphonie (1885), the only Romantic model Parry had for wind ensemble writing was Brahms’s Serenade, Op. 16 (1859) for winds and lower strings (which he studied intently). Parry considered the Nonet as experimental. Although he apparently prepared the score for a performance, probably for players of the Crystal Palace ensemble, it was never actually performed until 1937, well after his death. See the Hyperion website for excerpts, purchase the recording, and to read the program notes by Jeremy Dibble. I think the work is well worth performing. [ Andrew Brandt ]

Parry-Jones, Gwyn(1946- )

A Christmas Card (Theme and Variations on “We Wish You a Merry Christmas)

Lancaster, UK: Phylloscopus Publications, 1991 http://www.phylloscopus.co.uk/

Not to be confused with the British tenor, Gwynn Parry Jones (1891-1963).

Chadkirk

Lancaster, UK: Phylloscopus Publications, 1996 http://www.phylloscopus.co.uk/

Wind and Sea, Three British Folk-Songs

Lancaster, UK: Phylloscopus Publications, http://www.phylloscopus.co.uk/

Flute doubles piccolo; oboe doubles English horn. Movements: The Bells of Aberdyfi; Skye boat song; Bobby Shaftoe.

Winnie-the-Pooh Suite (1997)

Lancaster, UK: Phylloscopus Publications, 1994 http://www.phylloscopus.co.uk/

Flute doubles on piccolo. Movements: Prelude – “Once upon a time…”; Christopher Robin and Pooh!; Piglet dreams of the Heffalump; Eeyore has a Birthday; Expotition to the North Pole (and home in time for tea). Alternate parts for clarinet 2 (in lieu of horn) and bass clarinet (in lieu of bassoon).

Pooh-Two

Lancaster, UK: Phylloscopus Publications, http://www.phylloscopus.co.uk/

Flute doubles on piccolo. Movements: Rabbit‘s Friends and Relations; Wol’s Blues; A Game of Pooh-Sticks. Includes substitute parts to replace horn (with a 2^nd clarinet) or bassoon (with bass clarinet).

A Sullivan Suite (1985)(arr. Gwyn Parry-Jones)

Lancaster, UK: Phylloscopus Publications, 1999, http://www.phylloscopus.co.uk/

Works by Arthur Sullivan: Movements: Three Little Maids From School (from The Mikado); The Sun Whose Rays Are All Ablaze (from The Mikado); Never Mind The Why And Wherefore (from HMS Pinafore).

Parsadanjan, Boris (also Parsadanian, Parsadanyan)(1925-1997)

Bläserquintet (Puhkpillikvintett) (1967)

Estonia & Germany: edition 49 Bühnen und Musikverlag

Duration: 13:00. Movements: 1. Allegro con fuoco; 2. Andantino; 3. Allegro con fuoco. Recorded by the Estonian ENSV Riikliku Filharmoonia Puhkpillikvintett by S. Saulus, flute; H. Talmre, oboe; R. Kriit, clarinet; E. Saanpere, bassoon; and U. Uustalu, horn.

Parsch, Arnošt (1936-2013)

Transposizioni I (1967)

Prague: Cesky Hudebni Fond (Czech Music Foundation), see https://www.musicbase.cz

Duration: 11:00.

2. Dechový Kvintet (Second Woodwind Quintet)

Recorded by the Česky Dechové Kvinteto (Czech Woodwind Quintet) in 1980 for the Panton label.

Parsi, Héctor Campos (1922-1998)

Sonetos Sagrados (Sacred Sonnets) (1986) for woodwind quintet and voice (soprano or tenor)

Richmond, Virginia: International Opus

Duration: 19:55. 5 movements. Vocal part is in Spanish. Movements (and authors): No me mueve, mi Dios (attributed to St. Theresa of Avila); Siguiendo vá (Alfonso de Bonilla); O dulces prendas (Sebastián de Córdoba); Contento, amor y paz (Gregorio Silvestre); Levántate y despierta (Gregorio Silvestre). Written to commemorate the 500^th anniversary of Columbus’s voyage to America. “… a fusion of modern composition with old world Spanish Renaissance poetry and musical styles.” Recorded by members of the Bronx Art Ensemble for New World Records in 1987.

Pärt, Arvo (1935- )

Quintettino, Op. 13 (1964)

Frankfurt & New York: C. F. Peters, 1976

Recorded by the Estonian Philharmonic Wind Quintet in 1967 on Melodiya D 20547/48. Three movements: Schnell; Langsam; Mäßig.

also:

In Spe (2010) for woodwind quintet and string orchestra

Wien: Universal Edition, 2018

Duration: 8:00. There are various other versions of In Spe with choir and voices. This is apparently the only all-instrumental version, at least according to Grove Music Online.

“Kui Bach oleks mesilasi pidanud” “If Bach Had Been a Beekeeper” for piano, string orchestra and wind quintet (First version, 1976, second version, 1984, revised 2019)

Also for woodwind quintet with string quartet, bass and percussion and possibly other combinations.

Fratres (1977) for woodwind quintet, string quartet, bass, percussion (one player)

Wein & New York: Universal Edition, 2008

Duration: 10:00. As with many of Pärt’s works, there are a wide variety of instrumentations of the original work, including a version of this work, edited by Beat Brinner?, for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and percussion also available from Universal in Vienna. Other versions include using a recorder trio and another for saxophone ensemble.

Partos, Odon (Ödön or Oedoen Pártos, or Eden Partosh) (1907-1977)

Nebulae (Arfiliyot) (1966)

Tel-Aviv: Israel Music Institute, 1967

Duration: 11:00. See Arthur Cohn, “The Literature of Chamber Music” for description.

Parwez, Akmal

Ragalogues for Woodwind Quintet (2000)

New York: American Music Center

Score, Tapes & CDs available from: Tamarind Tones Music, P.O. Box 6568, Fresh Meadows NY 11365-6568 . Duration: 25:00. Movements: I. Sweet Awakening; II. Lonesome Moon; III. Dark Devotion; IV. Quiet Rapture; V. Mustard Blossoms. Also see: http://library.newmusicusa.org/

According to the composer, “Each of the 5 movements is based on 2 contrasting Ragas. It is dedicated to the memory of my father, the
renowned Pakistani poet and musicologist, Afzal Parwez, from whom I learned much about Indian music.”

also:

Navrasa: Nonet for Winds & Strings (2006) for woodwind quintet and standard string quartet.

New York: American Music Center

Parys, Annelies van

SEE Van Parys, Annelies

Pascal, Claude (1921- )

Octet for Wind Instruments (1944) for 2 flutes, oboe, clarinet, 2 bassoons, horn, trumpet

Paris: Durand

See Arthur Cohn, “The Literature of Chamber Music” for a description.

Pasculli, Antonio (1842-1924)

Melodia per Corno Inglese (arr. Wolfgang Renz) for dectet (woodwind and string quintets)

For solo English horn, flute, clarinet, bassoon, horn, 2 violins, viola, cello, and double bass.Duration: 6:30. See: http://wolfgang-renz-notendruck.de/ . Pasculli was a Sicilian composer and oboist who became known as the “Paganini of the oboe”.

Fantasia per Corno Inglese sul Ballo in Maschera(arr. Wolfgang Renz) for dectet (woodwind and string quintets)

For solo English horn, flute (piccolo), clarinet, bassoon, horn, 2 violins, viola, cello, and double bass. Duration: 8:00. See: http://wolfgang-renz-notendruck.de/ .

Rimembranze del Rigoletto(arr. Wolfgang Renz) for dectet (woodwind and string quintets)

For solo English horn, flute, clarinet, bassoon, horn, 2 violins, viola, cello, and double bass. Duration: 9:00. See: http://wolfgang-renz-notendruck.de/ .

Pascuzzi, Gregory (1952- )

Pastorale (1980)

Includes additional part for clarinet in A.

Pasquet, Luis (1917-2013)

Adaptation – Sopeutuminen (1994)

Helsinki: Music Finland http://musicfinland.fi/en/

Movements: 1. Why not? – Miksi ei?, 2. However… – Kuitenkin…, 3. And this? – Ja tämä?

See also Pasquet’s many compositions for quintet, piano and bass.

Pastore, Angel

Quinteto para instrumentos de viento

Copy found in the Samuel Baron Collection of the Juilliard School Lila Acheson Wallace Library.

Patachich, Ivan (1922- )

Balkan

Freiburg-Tiengen, Germany: Fritz Schultz

Quintett (1960)

Manuscript located in Hungary.

also:

Sextet (1957)

Patch, Marc (1958- )

Reflets (1989)

Montreal & Toronto: Canadian Music Center

Paterson, Robert (1970- )

Wind Quintet “Klezmeshugeh’ (2000, revised 2004)

New York: American Music Center

Bill Holab Music, http://www.billholabmusic.com/

Duration: 18:00. Movements: I. Andante; II. Suburban waltz-fantasy; III. Melting Clocks; IV. Kezmeshugeh. Commissioned for and premiered by the Quintet of the Americas in New York on April 19, 2004. See www.amc.net/composers/ . See also: http://www.robpaterson.com/ to listen to the work online and read the program notes.

My musical Mensches (Menschen?), if you are looking for 21^st century works to add to your quintet’s repertoire, you are a schlemiel if you don’t go to the composer’s website, listen to this work and read the program notes. ¶ Seriously, this is a high-energy work that is well crafted, original and entertaining. It might help if your clarinetist has a bit of experience with klezmer style for the final movement. Highly recommended for the professional quintet. [ Andrew Brandt ]

Paterson, Wilma (1944- )

Wind Quintet (1981)

Unpublished, Scottish Music Centre (for hire)

Patterson, Andra (1964- )

78 Bars (1983)

Wellington: New Zealand Music Centre (SOUNZ)

Duration: 5:00. You can listen to the work at https://www.sounz.org.nz/works/12610 . See also her website: http://andrapatterson.net/ .

Patterson, Andy (1929-2005)

Suite (1962)

Abilene, Texas, based composer. Not the recording engineer, Andy Patterson.

Patterson, Paul(1947- )

Comedy for Five Winds, Op. 14 (1972)

Josef Weinberger, Ltd.

Duration: 14:00. Recorded by the British Galliard Ensemble.

Wind Quintet (1967)

Josef Weinberger, Ltd.

Duration: 15:00.

Patterson, Robert G. (1957- )

Prisms (1987/1990)

Memphis, TN: Great River Music, 1994 http://www.greatrivermusic.com/index.html

Duration: 15:16. The work consists of seven sections, played continuously. Flute doubles on piccolo. The composer’s website is http://www.robertgpatterson.com/-bio/bio.html . Score and parts are available under a Creative Commons license from the International Music Score Library Project, http://imslp.org/wiki/Prisms_(Patterson,_Robert_G.). There is also a recording. (Note that there is also another composer Robert G. Patterson, born 1970.)

Pauer, Jiri (1919-2007)

Dechovy kvintet (1960)

Praha: Statni hudebn’ vydavetelstv’, 1963 /

Artia, 1963 /

Distributed by Boosey & Hawkes.

Introduction in Czech, Russian, German, and English. 3 movements: Burleska; Ukolebavka (Berceuse); Groteska. Duration: 16:00.

Paul, Berthold (1948- )

3. Bläserquintett (3^rd wind quintet) Op. 35 (1981)

Bad Schwalbach; Berlin: Edition Gravis, 1984

This editor would like info on his 1^st and 2^nd quintets.

Paul, Ernst (1907- )

Sextet in E Major, Op. 170 (1973) for woodwind quintet and harp

Manuscript.

Paul, Irene Regine Wieniawska, Lady

See POLDOWSKI

Paulikas, Jonas (1944- )

Quintet No. 1 (1975)

Lithuanian Music Information Center, www.mic.lt

Duration: 12:30.

Quintet No. 2 (1981)

Lithuanian Music Information Center, www.mic.lt

Duration: 11:20.

Paviour, Paul (1931- )

Frank Gardiner and friends, four Australian folksongs freely arranged for wind quintet (1972)

Perth, W.A.: The Keys Press, 1997

Movements: 1. Frank Gardiner is caught; 2. Travelling down the Castlereagh; 3. Moreton Bay: an elegy; 4. The stringybark cockatoo. Duration: 18:00. See also: http://www.australianmusiccentre.com.au/

Burlesque suite, Op. 111 (1993)

Grosvenor Place, N.S.W.: Reproduced and distributed by Australian Music Centre, 1999 http://www.australianmusiccentre.com.au/

Pavlorek, Aleš (1971- )

Studie pro dechove kvinteto (Study for wind quintet)

Wind Sextet for woodwind quintet and contrabassoon

Movements: I. Allegro assai; II. Andante sostenuto. Allegretto; III. Presto.

Pawelek, Nathan

Laukahi Suite Quintet

Recorded by the Dakota Wind Quintet (members of the South Dakota Symphony Orchestra). Pawelek is the hornist on the recording as well as the composer.

Payne, Anthony (1936- )

Sonatas and Ricercars (1970)

London: Chester Music, Ltd.

Duration: 14:00. 9 movements. Features: “Continual development and nonrepetitive structuring…” (Arthur Cohn, The Literature of Chamber Music). See: chesternovello.com/composer/1219/main.html

Payne, Frank Lynn (1936- )

Lenaea (1968)

Manuscript: University of Oklahoma

Oklahoma City based composer.

Paz, Erel (1974- )

Child’s Play (2005)

Tel Aviv: Israel Music Center

Pearson, William (1905- ??)

The Hunt

London: Chappell & Co., 1962

Not the film score composer, William “Bill” Pearson; and probably not the Baritone William Pearson, 1934-1995.

Peck, Russell(1945-2009)

Five-ring Circus (1986)

Greensboro, NC: Pecktacular Music, 2017. To purchase: Eble Music Co. (319) 338-0313 www.eble.com

Commissioned by the Greensboro Symphony Orchestra. Duration: 2:15. Listen to a recording: http://www.russellpeck.com/mp3_resources/20_five_ring_circus/five-ring_circus.mp3 .

Pedersen, Paul (1935- )

Wind Quintet (1959)

Toronto: Canadian Music Centre 1959

Duration: 15:50. Movements: I. Allegro; II. Adagio; III. Presto; Fugue.

Wind Quintet No. 2

Toronto: Canadian Music Center

For alto-flute, English horn, bass clarinet, bassoon and French horn. Based on a Gregorian melody and the chorale “Nun danket all’und bringet Ehr.” Duration: 11:00.

Peeters, Emil (1893-1974)

Quintett (1953)

Heidelberg: Willy Muller, Suddeutscher Musikverlag

Pehrson, Joseph (1950- )

Windwork #1 (1990)

New York: Seesaw Music Corp., 1994

Duration: 8:00. See also: http://www.arcananet.org/composers/JosephPehrson_1.html#worklist

Pelearcă, Ion(1932- )

Triptic burlesc (1978)

Triptic (1988)

Movements: Allegro; Andantino con moto; Mesto-Scherzando.

Cvintet nr. 2 (1988)

Pelemans, Willem (1901-1991)

Blazerskwintet (1948)

Bruxelles: J. Maurer, 1955 /

Bruxelles: Le Centre Belge de Documentation Musicale (CeBeDeM)

Duration: 15:00.

Quintet No. 2 (1968)

Antwerp, Belgium: Editions Metropolis

Bruxelles: Le Centre Belge de Documentation Musicale (CeBeDeM)

Pelikan, Miroslav (1922-2006)

Rozmarné miniatury pro dechové kvinteto (Capricious Miniatures for wind instruments) (1962) (also listed as Kapriziose Miniaturen)

Duration: 10:00.

Pelosi, Louis (1947- )

Woodwind Quintet (1987)

American Music Center

Duration: 20:20. Flute doubles on alto and piccolo, clarinet doubles on bass clarinet, oboe doubles on English horn.

Pellegrini, Ernesto P. (1932- )

Movement V (Nadia’s Piece) (2011)

See http://library.newmusicusa.org/ for PDF

Duration: 10:00.

Left Behind (2011)

http://library.newmusicusa.org/ for PDF

Duration: 15:00.

A Light Touch of Blue

Denver, Rebo Music Pub. 1960

Movements: Prelude; Valse; Rondo.

Peña, Antonio(1845-1896)

Pequeña Pieza para Quinteto de Viento

Listed in the site for the Asociación Gallega de Compositores (The Gallecian Association of Composers (in Spain). No publishing or contact info given.

Peña Fernández, Antonio

Quinteto de viento madera

A Coruña Gumersinda Rey, 2008 (Spain)

It’s unclear if these two Antonio Peñas are the same or separate composers.

Penberthy, James (1917-1999)

Quintet for wind instruments (1988)

Grosvenor Place, N.S.W.: Australian Music Centre 1999

See also: http://www.australianmusiccentre.com.au/ Duration: 15:00.

also:

Sextet “Aboriginal” (for woodwind quintet and 2^nd bassoon)

Pender, Nicholas Scott (1959- )

Suite for woodwind quintet (1989, revised 2013)

New York: American Music Center /

Available from the composer, http://www.scottpender.net/. Duration: 13:00.

Pennisi, Francesco

Movimento (1980)

Milan: Ricordi Milan

Duration: 7:00.

Penri-Evans, David (1956- )

Textures (1990)

British Music Information Center

See http://www.penrievans.free-online.co.uk/DPE_Web_01/Homex.html
Commissioned by the LSU (Louisiana State University) Wind Quintet. Duration: 9:00.

Peppercorn, Wayne Michael(1949- )

Suite for Double Wind Quintet

Movements: Allegro con brio; Scherzo and Respite; Andante Cantabile; Theme and Variations.

From the YouTube sound files it is clear that Peppercorn is playing homage to the 19^th century harmoniemusik tradition. There is a somewhat odd-sounding realization of the work on YouTube, beginning at https://www.youtube.com/watch?v=GJUPV9_brIk. (It sounds like a better-than-average synthesized realization. Or an oddly recorded ensemble that never breaths and plays in perfect keyboard pitch.) [Andrew Brandt]

Percival, Richard (1953- )

The Sweet Suite: Five Confections for Wind Quintet (2011)

Australian Music Centre: http://www.australianmusiccentre.com.au/

According to the composer, “These short pieces for wind quintet are fun and humourous in character. Ranging from a miniature Scherzo through to a Rag to an extended set of Waltz Variations they cover a range of 20^th century styles and influences. They are designed to be as much fun to play as to listen to and contain challenges both rhythmic and stylistic for the ensemble.”

Perez Farina, Aristides

Anavingo

Barcelona: Periferia Music

See also Perez Farina’s Imagenes del Mar for quintet and piano.

Perez Iriarte, Narciso

Quintet, Op. 6 (1958)

Library of Congress

Pérez Santiago, Felipe(1973- )

Vinyl (2013)

Commissioned by the Quinteto de Alientos de la Ciudad de México (Mexico City Woodwind Quintet). See also: https://www.felipeperezsantiago.com/

Pergament, Moses (1893-1977)

Liten Svit (1970)

Stockholm: STIMS Informationscentral for Svensk Musik

Pergolesi, Giovanni Battista (1710-1736)

L’Olimpiade (arr. Trevor Cramer)

Lake Worth, FL: Trevco Music Publishing

Perina, Hubert (1890-1964)

Divertimento, Op. 6 (1944)

Perissas, Madeleine (1906-1971)

Scotch Suite (or Suite Ecossaise)

Andraud, now Southern Music

Perle, George (1915-2009)

Quintet No. 1, Op. 37 (1959)

Bryn Mawr, Pa.: Theodore Presser Co., 1973

Duration: 10:21. Recorded for New World Records. First performed by the California Wind Quintet in Berkeley, April 8, 1959.

Quintet No. 2, Op. 41 (1960)

Hillsdale, N.Y.: Boelke-Bomart, Hackensack, N.J.: Jerona Music Corp., distributor for USA and Canada/

Possibly also pub. by University of California Press, 1990 ?

Duration: 11:30. First performed by the New York Wind Quintet in New York City, May 6, 1962. Uses clarinet in A.

Quintet No. 3 (1967)

Hillsdale, N.Y.: Hackensack, N.J.: Boelke-Bomart, 1996, 1976, 1995, Jerona Music Corp., distributor for USA and Canada

Duration: 14:40. Movements: Fantasia; Scherzo; Recitative; Finale. First performed by the Chicago Symphony Wind Quintet in Chicago, April 5, 1968. Commissioned by DePaul University for the Illinois Sesquicentennial Anniversary.

Quintet No. 4 (1984)

New York: Galaxy Music Corp., 1987

Duration: 18:20. Commissioned by the Dorian Wind Quintet.

Nancy Billman, hornist of the Dorian Wind Quintet, says, “These are challenging works, but I believe great pieces. The 4^th Quintet, commissioned by the Dorian Wind Quintet won the 1986 Pulitzer Prize for Music.” They recorded it for New World Records.

George Perle also has a quintet for piano and winds.

Perlongo, Daniel(1942- )

Grožnjan Souvenir (1999)

New York: American Composers Alliance, see https://composers.com/daniel-perlongo

Duration: 10:00. Premiered November 12, 1999, by the Zagreb Wind Quintet at the 36^th International Music Festival in Pula, Croatia.

The composer describes the genesis of this work: “Grožnjan Souvenir for wind quintet is a work in one movement. The title refers to my stay in Groznjan, Croatia, a medieval Istrian town, where in the summer months the little streets and squares metamorphose into an artistic beehive. I was invited there in the summer of 1999 for a music seminar as a guest of the Zagreb Music Academy. I dedicated the piece to the fine musicians and good friends I had the fortune of meeting that summer: Frano, Zlatko, Zrinka, Volker, Vieko, Jerko, Boris, and Gorjana.”

See Perlongo’s work for quintet and piano.

Perna, Dana Paul (1958- )

A la francaise

New York: American Music Center

Peron Cano, Carlos (1976- )

Quinteto de Viento (2007)

Edition Kemel Niedernhausen, 2009

Perry, Julia Amanda (1924-1979)

Quartette [sic.] for Wind Quintet (1963) for flute, oboe, clarinet,
alto sax, and bassoon

New York: American Music Center (out of print?)

Yes, the title says Quartette and it’s for five instruments. Although Ms. Perry wrote 12 full-sized Symphonies, this chamber work appears to also be known as her Symphony No. 13. A PDF reproduction of the manuscript score is available for download.

By all accounts, Perry was a very determined student. She received a Bachelor’s and Master’s degrees from Westminster Choir College and later studied with Luigi Dallapiccola and Nadia Boulanger. As an African-American woman composer, she was, therefore, a pioneer on several fronts. After a stroke, she taught herself to write (words and music) with her left hand. There’s a lot of musicological research that still can be done on this composer. [ Andrew Brandt ]

Divertimento (1974-76) for flute, oboe, alto saxophone, tenor saxophone and bassoon

Persichetti, Vincent (1915-1987)

Pastoral, Op. 21 (1943)

New York: G. Schirmer, 1951

Premiered in 1945.

Duration: 6:00. The Pastoral is a fairly easy one-movement work for quintet. It is nostalgic American in style (quasi-Copland-esque). It can be good for student quintets and as a short piece for professional recitals. There are numerous amateur and professional performances available on YouTube. [ Andrew Brandt ]

Serenade No. 1, Op. 1 (1929) for woodwind and brass quintets

Elkan-Vogel

For woodwind quintet and a brass quintet of an additional horn, 2 trumpets, trombone and tuba. Movements: Prelude; Episode; Song; Interlude; Dance. Duration: 6:20.

See Persichetti’s King Lear, Op. 35 for quintet, timpani and piano.

Pert, Morris (1947-2010)

Cernunnos, Op. 24 (1975)

Frankfurt: Joseph Weinberger Musikverlag

Duration: 20:00.

Peschek, Alfred (1929- )

Bläserquintett

Peška, Vlastimil(1954- )

Dechovy kvintet (woodwind quintet) (1978)

See www.musicbase.cz (Czech music information service)

Recorded by the Brno Philharmonic Quintet (for Czech Radio Brno). See also: http://www.peskav.cz/en/composer

Pessard, Émile Louis (1843-1917)

Aubade, Op. 6 (1882) [also listed simply as “Wind Quintet”]

Boston: Cundy-Bettoney /

New York: Carl Fischer /

Boca Raton, Fla.: Masters Music Publications, 2005 (arranged by Clark McAlister)

Paris: A. Leduc, 1880s

Available from the International Music Score Library Project. http://imslp.org/wiki/Main_Page

Prélude et Menuet du “Capitaine Fracasse”

Paris: A. Leduc

Originally a comic opera, arranged for quintet. Score and parts are available for download from the International Music Score Library Project at http://imslp.org/wiki/Le_capitaine_Fracasse_(Pessard,_%C3%89mile). Click on the tab for “Arrangements and Transcriptions.” The parts are now also available for download from ScorSer.com.

“La capitaine Fracasse” was an Opéra-comique in three acts, first performed in 1878. (Catulle Mendès was the librettist.) The original scoring included pairs of flutes, oboes, clarinets, bassoons, cornets, trumpets, 3 trombones, 4 horns, ophicleide, contrabass saxhorn, percussion and strings. It’s worth visiting the IMSLP site just to see the original cover of the quintet arrangement by Leduc. [Andrew Brandt]

Peter, Ludwig(1817-1899)

Quintet

Amsterdam: Edition Compusic, 1992

Peters, Rob(1969- )

3 Pieces for Wind Instruments, Op. 87

Available under a Creative Commons license from the International Music Score Library Project. http://imslp.org/wiki/Main_Page

Only the third movement is for woodwind quintet. Movements: Fugue, for 3 bassoons; Capriccio No. 3 (on a theme by Diabelli), for flute, oboe, clarinet, bassoon; Fuga Canonica, for woodwind quintet.

Wind Quintet, Op. 161 (2015)

Available under a Creative Commons license from the International Music Score Library Project. http://imslp.org/wiki/Main_Page

2 movements: 1. Prelude (allegretto); 2. Theme and Variations (andante-allegro-adagio).

Petersma, Wim (1942- )

Wind Quintet (Blaaskwintet)(1976)

Amsterdam: Stichting Donemus, 1976

Duration: 9:00.

Peterson, Harold [Hal] Vaughan

Scherzo and Trio

Los Gatos, California: Blixt, 1973

Peterson, Wayne (1927- )

Metamorphoses (1967)

Verona, New Jersey: Seesaw Music Corp., 1970

Four Spanish Songs (of Manuel de Falla) transcribed by Wayne Peterson (1991) (a.k.a.) Four Spanish Pieces (Pieces espagnoles) (1910)

Tunbridge, Vt.: Trillenium Music Co., 1991

Movements: Aragonesa; Cubana; Montanesa; Andaluza. Duration: 15:00. Flute doubles on piccolo.

Well-made arrangements of the original piano works. Great Spanish bassoon part.

Sonatine of Maurice Ravel (Transcribed by Wayne Peterson) (1989)

Tunbridge, Vermont: Trillenium Music Co., 1997

also:

Nonet (2001) for flute (doubling alto flute and piccolo), oboe, clarinet (doubling bass clarinet), horn, percussion, violin, viola, cello and piano

From the composer?

Movements: Autumnal reflections; Desperate gambol.

Petit, Jean-Louis (1937- )

Graffiti I (1980)

Duration: 8:00. See also: http://jean_louis.petit.perso.sfr.fr/

Tout Ciel M’est un (1999)

Duration: 9:30.

Tout Ciel M’est un (II) (1999)

Duration: 9:30.

also:

Octuor pour Guernesey (1972) for woodwind quintet plus brass trio (2 trumpets and trombone)

Duration: 9:00.

Petit, Pierre (1922-2000)

Dobble’s Polka (1980)

Petkute, Lukrecija (1988- )

By the Wild Stone (2010)

Duration: 3:30.

Petra-Basacopol, Carmen (1926- )

Divertisment (1992)

Duration: 12:30. Source: Biblioteca Uniunii Compozitorilor și Muzicologilor din România

Petrić, Ivo (1931- )

Kvintet za pihala st.1 (Woodwind Quintet No. 1) (1953)

Ljubljana [Slovenia]: Drustvo slovenskih skladateljev, 1964

Society of Slovene Composers, www.dss.si

3 movements. Duration: 11:00. First performed in Ljubljana in 1954.

Kvintet za pihala st. 2 (Woodwind Quintet No. 2) (1959)

Zagreb [Croatia]: Saveza kompositora Jugoslavije, 1961

Duration: 11:00.

Pihalni kvintet st. 3 (Woodwind quintet No 3) (1974)

Ljubljana [Slovenia]: Drustvo slovenskih skladateljev, 1977

Performance instructions in Slovenian and English. Duration: 11:00.

Pihalni kvintet 4 (Woodwind Quintet No. 4), Metamorfoze (Metamorphoses) (1999)

Adliswil: Pizzicato Verlag Helvetia, 2000

Woodwind Quintet No. 5, Miniature za Veljka (2008)

Adliswil: Pizzicato Verlag Helvetia

Duration: 6:00.

also:

Concertantna glasba or Musique concertante (1962) for woodwind quintet, timpani and string orchestra

Ljubljana: Drustva Slovenskih Skladateljev

Duration: 16:00.

Spring Symphony (1996) for wind quintet, string trio, bass, percussion

Petrovics, Emil (1930-2011)

Quintet (Fuvosoetoes) (1964)

London: Boosey & Hawkes /

Budapest: Zenemukiado Vallalat, 1965 /

Budapest: Editio Musica Budapesti

Arthur Cohn, The Literature of Chamber Music, says that the work reflects Bartok in style.

Petrushka, Shabtai (1903-1977)

Ve-samahta be-hagekha la-hamishiyat kele neshifah me-‘ets (And Rejoice) (1974)

Tel-Aviv: Israel: Israel Music Institute, 1982

Duration: 2:30. Part of the The Eliezer Peri educational music series. Flute doubles piccolo, ad libitum.

Petrzelka, Vilem (1889-1967)

Divertimento, Op. 39 (1941)

Praha: Panthon, 1990.

3 Movements: Moderato; Andante sostenuto; Vivo. Duration: 18:00.

Miniatures, Op. 54 (1953)

Pettersen, Agnes de(1981- )

Rondo alla Impromptu (2010)

Oslo: NB Noter https://www.nb.no/sheet-music/

Duration: 4:30. See also: https://agnesidapettersen.com/

Pexidr, Karel (1929- )

Dechovy kvintet (woodwind quintet) (1989)

Check the Czech Music Information Centre.

Pezel, Johann Christoph (1639-1694)

Sonata 21 (arr. Bill Schuetter)

Imagine Music; see also http://www.sheetmusicplus.com/

Duration: 6:15.

Pfeiffer, Dankward (1931- )

Musik für Bläserquintett, published under title “Musik für Bläser,” edited? by Otto Wagner

Leipzig: Pro Musica Verlag, 1982

See listing under WAGNER, OTTO

Pfeiffer, Georges Jean (1835-1908)

Pastorale, Op. 71

Paris, ca. 1870 / Andraud (now Southern)

Rödental, Germany: Befoco, 2011

Available under a Creative Commons license from the International Music Score Library Project. http://imslp.org/wiki/Main_Page

Dedication “á mon ami Paul Taffanel.” A more modern score and parts is also available at the IMSLP, edited by Gebhard Chalupsky. The Befoco publication also includes a trio d’anche entitled “Musette.’

Trois petites pieces

Andraud (now Southern)

Pfister, Hugo (1914-1969)

Quintet, uber das Mensuralfragment aus der Handschrift Ottobeuren II:389, (1966)

London, New York: Edition Eulenburg 1969 /

Zurich: Edition Eulenburg /

Nutley, N.J.: Edition Kunzelmann-USA, 1969

Duration: 9:00.

Pfluger, Andreas (1941- )

B-A-C-H für Bläserquintett (2001)

Lugano: Ed. Plural, 2001

Duration: 16:00. See also:
http://www.musinfo.ch/index.php?content=maske_werke&pers_id=1313&name=Pfl%FCger&vorname=Andreas . The site: http://www.composers21.com/compdocs/pflugera.htm offers different years for some of these works.

Stories (1977)

Edition Plural

Duration: 18:00.

also:

Canto della notte (1979) for wind quintet and alto saxophone

Edition Plural

Duration: 18:00.

Phaneuf, Albert

SEE Dela, Maurice

Phillips, Burrill (1907-1988)

Music for This Time of Year (1954)

Bryn Mawr, Pennsylvania: Elkan-Vogel, 1977 (Theodore Presser)

Duration: 10:00. Each movement is a different instrumentation: Cantilena (oboe and clarinet); Triplum (flute, oboe, bassoon); The Comedians (clarinet, bassoon); Minority Report (clarinet, horn, bassoon); Under Pleasant Glass (flute, oboe, clarinet, bassoon); Declamation (full quintet). Duration: 10:00.

Canzona VI (1985)

Berkeley, Calif.: Fallen Leaf Press (P.O. Box 10034, Berkeley 94709), 1985

Movements: First duo (oboe and bassoon); Second duo (flute and clarinet); Trio (oboe, horn, bassoon); Quartet (flute, clarinet, horn, bassoon), Quintet (full woodwind quintet).

Phillips, Valgene (1935- )

Lullabic Digressions

Hamilton, Ohio: Composers’ Autograph Publications

Houston: Composers’ Autograph Publications, 1969

Phillips, Ivan C.

Three Easy Arrangements (for woodwind quintet and 2^nd clarinet)

London: Oxford University Press

Phillips, Peter (1930- )

Little Prelude & Blues

New York: MJQ Music

Apparently NOT the conductor and founder of the Tallis Scholars, and not the 16^th century-born English composer.

Music for Wind Quintet

Toronto: BMI Canada

Piana, Sebastian

SEE Mores, Mariano et al., Argentine Encores

Piazzolla, Astor (1921-1992)
arrangements

Buenos Aires hora 0 (arr. Mariano Frogioni)

Calambre, (arr. Carlos Visnivetski)

Manuscript

The arranger, Carlos Visnivetski (1944-2010), was an oboist with the Orquesta Sinfonica de Bahia Blanca in Argentina.

Contrabajissimo (arr. Jeff Scott)

See Jeff Scott’s website for contact info: http://www.musicbyjeffscott.com/?page_id=354

Recorded by the Imani Winds.

Cuatro Estaciones Porteñnas (Verano, Invierno, Otono y Primavera) (The Four Seasons of Buenos Aires)(arr. Eduardo Rodriguez)

Manuscript, Contact Eduardo Adrian Rodriguez, Calle 37 n 1569, 1900 – La Plata, Argentina

Originally written for a quintet of violin (or viola), piano, electric guitar, double bass and bandoneón. The four pieces were written separately between 1965 and 1970. Eduardo Rodriguez describes these as “Very, very nice tangos.”

Primavera portena (arr. Mariano Frogioni)

One of the four seasons included in the previous listing.

Escualo (arr. Jeff Scott)

See Jeff Scott’s website for contact info: http://www.musicbyjeffscott.com/?page_id=354

Fuga e Misterio(arr. Jeff Scott)

See Jeff Scott’s website for contact info: http://www.musicbyjeffscott.com/?page_id=354 .

Performed by the Imani Winds, of which Jeff Scott is the hornist. The hornist also provides some light percussion. Included on their recital program, https://www.youtube.com/watch?v=JOqT51Ll1Zk . This work begins at about the 47:25 minute mark. Duration: 4:50.

Le Grand Tango (arr. Jack Sharretts)

Ancona, Italy: Bèrben Edizioni Musicali, http://www.berben.it/

Originally written for cello and piano, the work was dedicated to Mstislav Rostropovich, who performed the premier in 1990 in New Orleans.

Histoire du Tango (arr. Ulf Guido Schafer)

Niedernhausen, Germany: Noten Roehr

Originally for flute and guitar.

“Café” from Histoire du Tango (arr. WyndSync)

A recording by WindSync is available on SoundCloud: https://soundcloud.com/windsync/histoire-du-tango-cafe-1930-astor-piazzolla .

Introduccion al Angel, (arranged by Carlos Visnivetski)

Manuscript

Eduardo Rodriguez describes it as a “Slow tango under a bass like passacaglia. Very good music.”

Libertango (arr. Jeff Scott)

Richmond, Va.: International Opus, 1975

An arrangment of Piazzolla’s popular nuevo tango “song of liberty” including notated solos for flute, oboe and clarinet. (Jeff Scott is hornist with the Imani Winds, see https://www.youtube.com/watch?v=BOMbCsFV4ns for a `.)

An imaginative, colorful and challenging arrangement. Definitely a cut above many quintet arrangements of Latin music. [Andrew Brandt]

Milonga Sin Palabras (arr. William Scribner)

Richmond, Virginia: International Opus, 1981

Duration: 7:00.

NOT a tango, this is a very attractive slower work in the Argentinian style. Recommended. [Andrew Brandt]

Oblivion (arr. Jeff Scott)

Richmond, Va.: International Opus, 1984

A slower milonga, not a tango. Duration: 6:00.

Oblivion (arr. Frank Jordan)

Reynard Music Publications, http://reynard.dpwww.co.uk/

Tango Suite (arr. by Jack Sharretts)

Ancona, Italy: Bèrben Edizioni Musicali, http://www.berben.it/

Tema de Maria (arr. Mariano Fragioni)

Publishing info unknown. Recorded by Quinteto de Vientos on Radio Classica CDC 0020 (Buenos Aires, Argentina). Reviewed in The Double Reed, Vol. 21 No. 3.

Eduardo Rodriguez says, “It has a slow introduction and then a fuga that starts in the bassoon; very challenging.”

Picha, Frantisek (1893-1964)

Woodwind Quintet, Op. 31 (1944)

Prague: Cesky Hudebni Fond (Czech Music Foundation)

Praludium und Fuge

Pierce, Edwin Hall (1868-1954?)

Short Quintet in B-flat

Chicago: Gamble Hinged Music Co., 1938 /

New York: McGinnis & Marx

In Merry Mood

Chicago: Gamble Hinged Music Co., 1940 /

London: Leeds Music Ltd.

Romance

New York, N.Y.: Pro-Art Publications, Selling agents, Boosey Hawkes, Belwin, 1942 /

Pro Art Publications (see Belwin-Mills) /

Copy in Indiana University Music Library, Bloomington.

Allegro piacevole and Scherzo

New York: McGinnis & Marx

Pierce, V. Brent (1940- )

Divertimento

Ann Arbor, Michigan: Contemporary Music Project, University Microfilms

Pierné, Gabriel (1863-1937)

Album pour mes petits Amis, Op. 14 (arr. Wolfgang Renz)

Duration: 15:00. Website / Contact Wolfgang Renz: http://wolfgang-renz-notendruck.de/ . For a complete list of movements and the six young friends who they are dedicated to, see the entry on the International Music Score Library Project, http://imslp.org/wiki/Album_pour_mes_petits_amis,_Op.14_(Piern%C3%A9,_Gabriel), where you can also download the original piano score.

Album pour mes petits Amis, Op. 14 (arr. Nicholas P. Thomas) for double woodwind quintet, double bass and tambourine.

Second flute doubles on piccolo. Second oboe doubles on English horn. Movements: 1. Pastorale; 2. Farandole; 3. La veillée de l’ange gardien; 4. Petite Gavotte; 5. Chanson d’autrefois; 6. Marche des petits soldats de plomb. Available for free download from ScorSer.com.

“Pastorale” from Album pour mes petits Amis, Op. 14, No. 1, (ca. 1886) (arr. ?)

Paris: A. Leduc, 1887 /

New York: Carl Fischer, 1970 /

Masters Music Publications, Inc.

Also included in the Andraud 22 Quintets. One recording uses English horn instead of French horn. This movement is dedicated to “Mademoiselle Yvonne Leduc.” A copy of the original Leduc edition is available from the International Music Score Library Project, http://imslp.org/wiki/Album_pour_mes_petits_amis,_Op.14_(Piern%C3%A9,_Gabriel)

“Marche des Petits Soldats de Plomb” from Album pour mes petits Amis, Op. 14, No. 6 (“March of the Little Lead Soldiers”)

Paris: A. Leduc /

Boca Raton, FL: Masters Music Publications, Inc.

Duration: 4:00. This movement was dedicated to “Frédéric Merson.”

Impressions de Music-Hall, Op. 47 (arr. Wolfgang Renz)

Duration: 18:00. Website / Contact Wolfgang Renz: http://wolfgang-renz-notendruck.de/ .

also:

Pastorale variée dans le style ancien for Wind Instruments (1983)

For flute, oboe, clarinet, 2 bassoons, horn, and trumpet, although one recording appears to use English horn instead of French horn. It was written for “La Trompette” chamber music society, which explains the use of trumpet. There is also a version for piano alone.

Préludio et fughetta pour instruments à vent, Op. 40, No. 1 (Prelude and Fugue for wind instruments (1903-04) for 2 flutes, oboe, clarinet, 2 bassoons, horn

Edition Silvertrust, http://www.editionsilvertrust.com

Duration: 5:25. One recording uses English horn instead of French horn. This was one of three movements originally written for piano, then arranged for the Modern Wind Society of Paris.

Pierné, Paul G. (1874-1952)

Suite Pittoresque, Op. 14

Paris: Buffet-Crampon / Evette & Schaeffer

Paris: Alphonse Leduc

Movements: L’Abeille et la Fleur; Nuit sur la Plaine; Les Oiseaux et le Chat. Parts available for download at the International Music Score Library Project, http://imslp.org/wiki/Suite_pittoresque_(Piern%C3%A9,_Paul) . Not available for EU countries.

Quintet for Wind Instruments

New York: G. Schirmer

4 Movements.

Pietsch, Edna Frida (1894-1982)

Miniature Suite, Op. 20 (1961) (or 1949 or 1953?)

Minneapolis, Minn.: Schmitt Music Center, 1971 (or 1961?) Out of print.

Milwaukee-based American composer. Movements: 1. Prelude, 2. Lullaby, 3. Humoresque, 4. Eclogue, 5. Finale. Manuscript is in the archives of the library of the University of Wisconsin-Madison.

also:

Suite for Woodwinds and French Horn for 2 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons, and horn

Manuscript is in the archives of the library of the University of Wisconsin-Madison.

Pijper, Willem (1894-1947)

Quintet voor blazers, K. 80 (1929)

Amsterdam: Donemus, 1949, 1973

New York: C. F. Peters

Movements: Allegro; Adagio; Andante moderato; Vivace.Duration: 10:00. A recording by the Danzi Wind Quintet (with score) is available on YouTube and also on Earsense (www.earsense.org).

I was unfamiliar with Pijper’s music before recently listening to his 1929 Quintet and his Sextet for woodwind quintet and piano, written in 1923. Whereas, in Vienna, Schoenberg developed his 12-tone technique, which he considered the logical next step from hyper-romanticism, Pijper, in Holland, offers an alternative in his use of extended polytonality instead of atonality. Pijper’s Sextet repeats themes polyphonically in different key centers which, at times, can be as dissonant as Schoenberg’s, but at other times offers a tonal respite. For example, at the very end of his Sextet, a series of chords creates an ending that sounds almost Debussian in its final bars. ¶ In his Quintet, written six years later, nobody will accuse any of his harmonies of being Debussian. In fact, the rhythmic intensity and difficulty has now increased and, to these ears, sounds like a worthy alternative to anything in the Viennese School. But Pijper’s music is not only distinct from Schoenberg, it also is independent of Hindemith, Stravinsky, and the French schools of composition of the early twentieth century. ¶ Pijper often used an “octatonic” scale built on alternating whole and half tones. His use of variations of “germ cells,” where an opening chord or motif becomes the basis for all the following harmonic and melodic development might not be entirely divorced from the ways that Sibelius picked apart tonal cells in his music, but the soundscape is entirely unique. In other words, whether you love or hate Schoenberg and the Second Viennese School, you should still study and perform Pijper’s Quintet if you want to explore and understand the tug of war between musical styles and musical minds in this marvelous jumble of music of the 1920s.

See Pijper’s works for winds and piano.

Pilette, Philippe

Intermède Bucolique

Hensall, ON: Lighthouse Music Publications, 2013

Duration: 2:30. See http://www.lighthousemusicpublications.com/ for more info and for synthesized realizations of their publications.

Promenade Bleue

Hensall, ON: Lighthouse Music Publications, 2013

Duration: 2:20.

Motifs Réjouissants

Hensall, ON, Canada: Lighthouse Music Publications

Duration: 2:20.

Figures Endimanchées

Hensall, ON, Canada: Lighthouse Music Publications

Duration: 3:15.

Fragments Garantis

Hensall, ON, Canada: Lighthouse Music Publications

Duration: 1:30.

Pillin, Boris Williard (1940- )

Scherzo for Woodwind Quintet (1968)

Los Angeles-based American composer.

See Pillin’s Serenade for quintet and piano.

Pillney, Karl Hermann (1896-1980)

Divertimento (1966) for woodwind quintet, orchestra and piano

Pilss, Karl (also Pilß) (1902-1979)

Serenade in G Major (1942)

Vienna: Ludwig Doblinger Verlag, 1957

Duration: 17:00.Movements: 1. Heiter bewegt; 2. Ruhig; 3. Schnell; 4. Breit – Sehr lebendig – Breit. Some catalogs and recordings misspell this composer’s name as Karl Pliss.

Arthur Cohn, The Literature of Chamber Music, describes the style as “Late romanticism,” in the style of Richard Strauss.

Pimsleur, Solomon (1900-1962)

Light and Beauty (song-cycle of Sonnets by S. Pimsleur), Op. 53 (1944-45) for soprano and tenor solo with woodwind quintet, 1 or 2 violins, 1 or 2 violas, 1 or 2 celli and 1 double bass.

More Modern Madrigals, Op. 87 (1955-56) for vocal quartet
or mixed chorus with woodwind quintet, triangle and harp.

Madrigal titles: The Perfect Now, in C Major (Ruthven Todd); Rumination, in A major (Richard Eberhart); Nor Ships, nor Faces, in E flat major (Montgomery Hare).

Pinkham, Daniel (1923-2006)

Prelude and Scherzo

Boston, MA.: Ione Press, 1982

Duration: 9:00. See also: http://www.danielpinkham.net/

Forest Music (2004)

Boston, MA.: Ione Press

Duration: 10:00. Movements (incomplete list): 1. We enter the deep and silent forest; 2. ?? 3. We cross a gently flowing brook; 4. As we walk along, birds… chirp in the treetops (flute solo); 5. ??; 6. On the way home, dancing light plays on our path.

Picnic Music, An Arcadian Pastorale for Wind Quintet (2000)

Boston, MA.: Ione Press

Duration: 15:00.

Five Times Two for double woodwind quintet (2004)

Boston, MA.: Ione Press

Duration: 7:00.

The work appears to be published with the title, “Five Times Two”, although the composer’s website clearly states the title is “Five Times Five.” The composer’s website has been archived to: https://web.archive.org/web/20171017211610/http://www.danielpinkham.net/catalogPage.html#chamber

with choir:

Advent Cantata for mixed chorus, woodwind quintet and harp

Frankfurt, New York: C. F. Peters, 1993

Christmas Jubilations for woodwind quintet and SATB choir

Boston, MA.: Ione Press

Movements: 1. Tecum principatus; 2. Lux fulgebit; 3. Hodie nobis de caelo; 4. Verbum caro; 5. Hodie Christus natus est. Duration: 14:00.

Magnificat for woodwind quintet, soprano solo and SATB chorus (2003)

Boston, MA.: Ione Press / E. C. Schirmer

Movements: I. Magnificat anima mea; II. Quia respexit; III. Quia fecit; IV. Et misericordia; V. Fecit potentiam; VI. Suspecit Israel; VII. Gloria Patri. With a biographical note. Dedicated to Mary Beekman and Musica Sacra I. Magnificat anima mea; II. Quia respexit; III. Quia fecit; IV. Et misericordia; V. Fecit potentiam; VI. Suspecit Israel; VII. Gloria Patri. Dedicated to Mary Beekman and Musica Sacra.

Miserere mei Deus, Psalm 51 for mixed chorus and woodwind quintet

Boston: Ione Press, a division of ECS Publ, (E. C. Schirmer), 1995

Pinos, Alois (1925-2008)

I. Bläserquintett (1951)

II. Bläserquintett (1959)

Praha: Cesky Hudebni Fond (Czech Music Foundation)

Duration: 18:00.

Five Movements for Five Winds (Suite for Wind Quintet) (1994)

Duration: 15:00.

Thanks for Every Day (1998) version c for woodwind quintet

www.musica.cz/cz/his.asp

(None of these should be confused with a Wind Quintet of 1980 for sax, trumpets and trombones.)

also:

Nonet (1983) for woodwind quintet, violin, viola, cello and double bass.

Duration: 13:00.

Pinzon-Urrea, Jesus (1928- )

Motivo y Transformaciones (1967)

Duration: 13:00. Movements: Motivo; Canon; Scherzo; Atonal-tonal; Intermedio; Final. Colombian composer.

also:

Bico Anamo (1979) for soprano solo, SATB, woodwind quintet, and percussion

Pirchner, Werner “Preisegott” (1940-2001)

String Quartet for Wind Quintet, Variations on a Tyrolean Slave Song

Wien: Doblinger, 1997

Oboe doubles on English horn. Movements: I. I mag; II. Nit Küah-hiatn; III. I mag nit; IV. Sau-hiatn; V. Vom Davon-Reitn; VI. P.S.; VII. Ich weiss nicht, soll’s was bedeuten…; VIII. Ja! See also: http://www.wernerpirchner.com/4DACTION/web_searchwork (Editor’s note: I can’t decide whether the entire piece’s description (see below) is serious, tongue-in-cheek, or pure fiction. I’ll let you decide for yourself. Or not. – AB)

In 1975, I was asked by the composer, graphic artist, film maker, and radio writer Bert Breit to do the music for a film about Tyrol which he was making with Otto Grenmandl. After the appearance of the LP “Half a Double Album” and the short film “Decline of the Alpine Country” I wanted to cencern myself with more positive aspects of our tradition and wrote variations on a slave song whose dialect text translates roughly as follows: “I don’t want to look after a cow. I don’t want to look after a pig. But I’d love to look after a horse. I could climb on. I could ride away. I could lead the life of a lord.”
In the early 1980s I set the little piece for wind quintet and composed three more brief movements, one of them in memory of Heinrich Heine. The first performance took place on October 22nd, 1984 in the Schubert Hall of Vienna’s Konzerthaus in the first concert of the series “die neue reihe”. Perhaps my father, who was a waggoner, would have liked the music. A picture of him appears on the cover of the score.

Pirklbauer, Gerhard (1954- )

Quintett (1978)

manuscript

See http://www.moz.ac.at/people.php?p=50928&l=en for contact info.

Pironkoff, Simeon (1965- )

Bläserquintett (1986 / 1987)

Published by the composer

Duration: 10:00. Flute doubles on piccolo, oboe doubles on English horn. See also: http://www.pironkoff.at

Pisaro, Michael (1961- )

Here, No. 5 (1997)

Berlin: Edition Wandelweiser: Timescraper Music, 1997

Duration: 40:00.

Pishny-Floyd, Monte Keene (1941- )

Three Canadian postcards (1977)

Toronto: Canadian Music Center

Commissioned by the Prairie Wind Ensemble, Saskatoon.Duration: 10:00. Movements: I. Banff – Lake Louise; II. Bears; III. Northern lights. See also: http://www.pishny-floyd.blogspot.com/

also:

Captions: Jazz in the wickercage shoppe (1971) for woodwind quintet, narrator, dancer, mime and percussion

Toronto: Canadian Music Centre

Duration: 10:00. Words in English, text by Johnjoseph Pajor.

Pisk, Paul Amadeus (1893-1990)

Woodwind Quintet, Op. 96 (1958)

New York, N.Y.: Pioneer, 1958 /

New York: American Composers Alliance

Duration: 15:00.

Piston, Walter (1894-1976)

Quintet for Wind Instruments (1956)

New York: Associated Music Publishers, 1957

Milwaukee: Distributed by Hal Leonard

Commissioned by the Elizabeth Sprague Coolidge Foundation in the Library of Congress. Premiered by the Boston Woodwind Quintet. (Also in the repertoire list of the New York Woodwind Quintet.) Movements: Animato; Con tenerezza; Scherzando; Allegro comodo. Duration: 18:00. Recorded by the Sierra Wind Quintet on Cambria. Brief description in Arthur Cohn, The Literature of Chamber Music.

Pistor, Carl Friedrich (1884-1969)

Bläserquintett

Pitombeira de Oliveira, Liduino (1962- )

Ajubete Jepê Amô Mbaê, Op. 10 (1992)

Duration: 5:00. Recorded by the Quinteto Brasília and the Berlin Philharmonic Woodwind Quintet. See also: http://pitombeira.com/

Four Brazilian Songs, Op. 31 (1998)

Premiered by the Arta Woodwind Quintet (Munich).

Suite Hermética, Op. 95 (2005)

Recorded by the Lieurance Woodwind Quintet and the Quinteto Brasiliera. Duration: 9:20.

Impressoes Horizontes, Op. 133 (2007)

Duration: 4:20.

Pixinguinha (Alfredo da Rocha Viana, Jr.)(1897-1973)

Naquele Tempo (arr. Airton Barbosa)

Duration: 3:44. Recorded by Quinteto Brasília. The original recording by Quinteto Villa-Lobos is now available on YouTube at https://youtu.be/Az9ScQGHEDs .

Naquele Tempo by Pixinguinha with Benedito Lacerdo

It’s unclear whether Benedito Lacerdo was a co-composer or arranger of Naguele Tempo, but he’s listed in the Quinteto Villa-Lobos 1977 recording of this work. See our Cracked Reed Blog post on Quinteto Villa-Lobos for a link to an online recording. Duration: 4:00.

The work begins with “the tune” as a flute solo, then the oboe and clarinet do their own versions. Pixinguinha was noted for his Choros and his collaborations with Benedito Lacerda. Bassoon and horn play a Latin accompaniment. [Andrew Brandt]

Segura Ele (by Pixinguinha / Benedito Lacerda)

As with Naquele Tempo above, it’s unclear whether Lacerda is co-composer or an arranger of this work. Recorded in 1977 by Quinteto Villa-Lobos. Probably arranged specifically for them. The recording by Quinteto Villa-Lobos is now available on YouTube at https://youtu.be/Az9ScQGHEDs .

Features solos for flute, clarinet, and oboe. It’s a lively, rhythmically complex, busy, fun work. [Andrew Brandt].

Descendo a Serra (arr. José De Geus)

Duration: 3:08. Recorded by the Quinteto Brasília.

Pizzi, Ray (ca. 1943- )

BBG