O - Woodwind5.com

Brandt’s Woodwind Quintet List – O

Browsing the O’s:

Jennifer O’Connor
Jacques Offenbach
Georg Onslow
Fernand Oubradous
Maria Luisa Ozaita; Bottom of Page

Oatman, Johnson, Jr. (1856-1922)

Count Your Blessings (arr. Dana F. Everson)

Pub. By David E. Smith; See also http://www.sheetmusicplus.com/

Duration: 3:30. A hymn lyricist, Oatman is reported to have written words to 5000 Gospel hymns.

Oberstadt, Carolus (also Carel or Carl) Dietmar (1871-1940)

Quintett

A Dutch pianist, performer, and teacher, he also wrote chamber music. The archives of Carolus Oberstadt are located at the Natherlands Music Institute.

Obrecht, Eldon (1920-2011)

Pantomimes

Manuscript: University of Iowa

Obregon, Luis (1974- )

Abalorios de Madera (2005)

New York: American Music Center

Duration: 7:14. See http://library.newmusicusa.org/LuisObregon

O’Briant, Jim (1947- )

In Dulci Jubilo (arranged by O’Briant)

Salem, Ct.: Cimarron Music Press cimarronmusic.com

Russian Rag, Based on Rachmaninoff’s Prelude in C^♯ Minor (arranged initially by George L. Cobb in 1918 (see Cobb’s listing), later arranged for woodwind quintet by Jim O’Briant)

New London, Connecticut: Cimarron Music Press, 2007

The Lion Tamer Rag by Mark Janza (arr. Jim O’Briant)

New London, Connecticut: Cimarron Music Press, 2007

The Thriller! (Slow rag) (1909) by May Aufderheide (arr. Jim O’Briant)

Salem, Ct.: Cimarron Music Press, 2007. cimarronmusic.com

See also Aufderheide’s listing.

Obrovská, Jana (1930-1987)

Dechovy Kvintet (Woodwind Quintet) (1968)

Duration: 13:00. Grove Music Online lists this work, probably incorrectly, as “Wind Qt, 1968” (i.e. Wind Quartet), but perhaps the editor meant ‘Wind Qnt”. The Musicalics website clearly lists this work as a quintet as does the German-language Wikipedia article on Jana Obrovská and H. Alais Boenke’s Flute Music by Women Composers. The latter reference also lists a Sextet for Winds of 1955 by Obrovská. The Czech Musicbase website also has a list of Obrovká’s works, but unfortunately does not include any of her wind pieces.

Ockenfels, Helmut (1937-1999)

Neun Miniaturen (9 Miniatures)

Köln (Cologne): UBM Edition, 1985

Duration: 12:00. Recorded on the Köln, W. Germany Largo label in 1985-86, entitled “Colors, Contrasts”.

O’Connor, Jennifer

Notes from a Reedy Pond (2006) for flute, oboe, B-flat clarinet, bassoon and B-flat bass clarinet

Grosvenor Place, N.S.W.: Australian Music Centre

Duration: 8:50. 5 movements. Recorded by Michael Way, flute; Stephanie Nicholls, oboe; Catherine Cahill, clarinet; Jacqueline Coolican, bass clarinet; Jo Brown, bassoon at the University of Western Australia, for the Perth, Washington (US) label, Sound Mine, in 2007. Note: This is the Australian composer/teacher/academic, not to be confused with the U.S. singer/songwriter Jennifer O’Connor. See also: https://jennifergoconnor.com/

Odstrčil, Karel (1930-1997)

Pas de cinq (Dance Suite) (1973)

Praha: Cesky Hudebni Fond (Czech Music Foundation) See the Czech MusicBase: https://www.musicbase.cz/compositions/5686-pas-de-cinq-dechovy-kvintet/

Duration: 10:00. 5 movements. See Arthur Cohn, The Literature of Chamber Music, for description. See also: https://www.musicbase.cz/composers/699-odstrcil-karel/

Dance Suite

Hudebni Informacni Stredisko http://www.musicbase.cz/

See also: Praha (Prague): Hudební Informačni středisko, www.musicbase.cz

also:

Silhouettes (1962), Nonet for woodwind quintet, violin, viola, cello, bass

Praha: Cesky Hudebni Fond (Czech Music Foundation)

See also: Praha (Prague): Hudební Informačni středisko, www.musicbase.cz

Oehring, Helmut (1961- )

Gestauchte Winkel (1991) for Five Winds (oboe, bass clarinet, bassoon, horn, trombone)

Berlin & Wiesbaden: Bote & Bock, 1992

O’Farrill, Arturo (Chico) (1921-2001)

Quintet

Cuban-born American jazz composer and performer. This composer is usually referred to as Chico, since he is father of pianist Arturo O’Farrill (confusing, since “chico” means “son” in Spanish). His Wikipedia page is listed under Chico O’Farrill. The website arturoofarrill.com is for his son.

Ofenbauer, Christian (1961- )

for martha keller für Holzblaserquintett (2001)

Wien: Doblinger, 2002

Contact info: http://www.moz.ac.at/people.php?p=50872&l=en

Offenbach, Jacques (1819-1880)
arrangements

Can Can (from Orpheus in the Underworld, 1858, rev. 1874) (arr. ?)

Delevan, New York: Kendor Music

Can Can (from Orpheus in the Underworld, 1858, rev. 1874) (arr. Bill Holcombe)

Chesapeake, VA: Bill Holcombe’s Musicians Pub’s (http://billholcombe.com/)

The Can Can (arr. Andrew Lightfoot)

Andrew Lightfoot; see also: http://www.sheetmusicplus.com/

The Can-Can (6. Ce bal est original) from Orphée aux Enfers (Orpheus in the Underworld) (arr. Lin, Yizhi Ernest)

Singapore: Oriole Publishing, https://oriole-publishing.myshopify.com/

Overture from Orpheus in the Underworld (arr. Patrick Clements) for wind nonet

London: PCMS Sheet Music, http://www.clements16.co.uk/

For a flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns. Duration: 7:00.

According to the arranger, this version has “[l]ots of well-known tunes including the can-can. Goes down well. (Except, as we discovered, in French monasteries!)”

“Les Oiseaux dans la Charmille” from Tales of Hoffman (1881) (arr. Richard Price)

Available from Richard Price, 75 Loughlin Ave., Cos Cob, CT 06807 USA

Uses English horn instead of oboe. You need to borrow a ratchet from a percussionist, too.

“Olympia’s Aria” from Tales of Hoffman (1881) (trans. Don Stewart)

Tunbridge, Vt.: Trillenium Music, 1997

Oboe solo in woodwind quintet. Duration: 5:00.

Offenbach also wrote an opera, Il Signor Fagotto, which title begs for a quintet arrangement of some sort! [Andrew Brandt]

See Offenbach’s Two Blind Men for woodwind quintet and piano.

Ogdon, Will (Wilber Lee) (1921-2013)

Serenade No. 1 (1986-87)

Montclair, N.J.?: Association for the Promotion of New Music, [1999?]

Recorded on CRI (CD 763 CRI), possibly the same recording as that available by the Eolus Quintet. Duration: 9:21.

Serenade No. 2 (1990-1994)

Montclair, N.J.?: Association for the Promotion of New Music, [1999?]

Movements: Capriccio 1; Canzona; Capriccio 2; Scherzo and trio; Slow dance; Capriccio 3. Recorded by John Fonville, flute; Susan Barrett, oboe; Robert Zelickman, clarinet; Warren Gref, horn; and David Savage, bassoon on the CD “Compositions 1995-1999” for San Diego, California: Old King Cole Productions, 2001.

Öhlund, Ulf (1948- )

Three Pieces for Woodwind Sextet (for woodwind quintet and saxophone)

Tons (contact Svensk Music)

Duration: 12:00.

Ojala, Juha (1964- )

Woodwind Quintet No. 1 (1992) (Puupuhallinkvintetto No. 1)

Helsinki: Music Finland https://core.musicfinland.fi/composers/juha-ojala

PDF of score is available for download. Movements: Moderato; Tempo giusto; Quasi adagio. This work appears to have been originally written as part of a Master’s Thesis at the Peabody Conservatory of Music in Baltimore.

Not knowing Finnish, I do know that woodwind quintet is usually written as “puhallinkvintetto.” “Puupuhallinkvintetto” looks like a typo, but it’s printed that way in the catalog and on the score. Would any Finns like to explain? [Andrew Brandt]

Okeover, John (ca. 1590-1663 OR ca. 1595-1649 (or alternately flourishing from 1619-1634, depending on which composer)

Fantasia (arranged)

There were at least two John Okeovers in England and they may have been father and son. If so, the birthdates above (at least) would be suspect, however. The son appears to also have been known as John Oker, and he did write 17 fantasias (or fancies), according to Grove Music Online. This arrangement was performed by the Eastman Woodwind Quintet.

Okunev, German Grigor’evich (1931-1973)

Leningradskie Graviury

Leningrad (now St. Petersberg): Muzyka, 1977.

Movements: Noktiurn; IUmoreska; Ballada; Final.

Olah, Tiberiu (a.k.a. Oláh, Tibor) (1928-2002)

Peeripeții cu trisonuri majore (Adventures of Major Triads) (1993)

Self-published

His birth year is also given as 1927, probably depending on whether you are using the Julian or Gregorian calendar. Duration: 13:00. Movements: Preludiu; Fugă; Allegro vivo; Allegro giocoso.

Olaya-Munoz, Jorge (1916-1995)

Semblanzas

See also: http://jorgeolayamunoz.blogspot.com/

Dos Dansas Colombianas

Movements: Mañanita; Pasillo. Duration: 8:00. Recorded by the Quintet of the Americas for the Inter-American Music Festival at the Library of Congress in 1983.

Provincianita (1976)

Recorded by the Quintet of the Americas for the Inter-American Music Festival at the Library of Congress in 1983.

Two Dances: Te Sorprende? & Provincianita

Written for and recorded by the Quintet of the Americas, available on YouTube at https://www.youtube.com/watch?v=rOSIt4ohPNM . According to program notes, the composer has made many of his dances available for quintet performance by the Quintet of the Americas.

Oldfield, Alan

Solos

M. M. Cole Pub., Co., 1975

Olds, Gerry (1933- )

Woodwind Quintet (1958)

O’Leary, Martin (1963- )

Variants (1985)

Manuscript. Try Dublin: Contemporary Music Centre

Duration: 7:00.

also:

Concertante 11 (1990) for flute/alto flute, oboe/English horn, clarinet/bass clarinet, bassoon, horn, 2 violins, viola, cello, bass

Manuscript. Try Dublin: Contemporary Music Centre

Duration: 10:00.

Oliveira, Jamary (1944-2020)

Nonet (1969) for woodwind quintet and string quartet

Centro de Documentacao de Musica Contemporanea CDMC-Brasil

It took me a while to figure out that the Brazilian abbreviation “TPa” appears to be for Trompa (Horn) and not timpani or some other percussion. The string parts appear to be for 2 violins, viola and cello.

Oliveira, Fernando(1991- )

As Brinca [For Fun] for woodwind quintet and alto saxophone

Blacksburg, Virginia: Cayambis Music Press, 2019 www.cayambismusicpress.com/

Duration: 8:00. Not to be confused with several other composers with similar names: Fernando Corrêa de Oliveira (1921-2004) or the songwriter Fernando de Oliveira (1944- ), nor the Composer Fernando Ribeiro de Oliveira (flourished 1915, according to IMSLP).

The Cayambis website has this description of As Brinca (likely from the composer): This three-movement work for wind sextet represents something of a thought experiment around the traditional Brazilian musical genre known as the “choro.” The first movement is an introduction to the typical harmonic and melodic components of this genre; however, since as a style the “choro.” is highly improvisational (and is in fact sometimes known as Brazilian jazz), this approach creates the tension that propels this movement towards its concluding measures. By juxtaposing the bassoon and the horn in the second movement (while the other four instruments chatter in the background), the composer flirts with the meaning of two words in Portuguese that begin with baix: “baixo” (bass) and “baixarias” (vulgarities). The third movement, a classic rondo, makes extensive use of counterpoint as well as more traditional harmonies and modulations.

Oliveira, Willy Correa de (1938- )

Phantasiestuck II (1973)

São Paulo: Serviço de Difusão de Partituras, USP, 1973

São Paulo: Universidade de São Paulo, Document Ação Musica, 1973?

Includes “Diagrammatic notation.” with instructions in English.

Oliver (Pina), Angel (1937-2005)

Dos Piezas (Two Pieces) (1966)

Manuscript: Archivo Sinfonico de la S.G.A.E., Madrid

Interpolaciones (Interpolations) (1970)

Madrid: Editorial Alpuerto

Oliver, Harold (1942- )

Woodwind Quintet No. 1 (1967)

New York: Carl Fischer, 1972

Flute doubles piccolo. See also: http://users.rowan.edu/~oliver/

Arthur Cohn, The Literature of Chamber Music, describes this as a 12-tone work “totally devoid of repetition and using in its place exciting fantasy.” The work includes free sections, “senza misura” and also uses “bent pitches, microtonality, and with the pitches given, controlled improvisation.”

Woodwind Quintet No. 2 (1993)

APNM (Association for the Promotion of New Music)

Duration: 15:00.

Oliverio, James

Winds of the Magic Wood (1989) for woodwind quintet and narrator

See http://www.oliveriomusic.com/

Duration: 12:00. Designed for children’s concerts, the score comes with taped narration. Commissioned and premiered by the Pandean Players.

The Fall of Babylon (1974) for mezzo soprano and wind quintet

Oliveros, Pauline (1932-2016)

Portrait of the Quintet of the Americas (1988) for flute, oboe + English horn, clarinet + bass clarinet, bassoon and horn

Recorded by the Quintet of the Americas on CRI, 1996. Duration: 7:26. Although the bassoon and horn are not included in the catalog listing, it appears this work is for normal woodwind quintet with the doublings indicated. The work may be largely improvisational. Much of her music was published by Bowdoin College Press. (There’s obviously much more to learn about this piece.) See also: http://www.paulineoliveros.us/ . The recording can be purchased on the Quintet of the Americas web site. (Although Ms. Oliveros’s website doesn’t list this title, it does list a work, Portraits, which includes a unique, computer generated score with improvisation for each player. It’s conceivable that the Portrait of the Quintet of the Americas is a personalized version of Portraits)

She has also composed a work for double woodwind quintet and two pianos.

Olmeda, Angel Luis

Ritual Nocturno (1991)

New York: American Music Center

Flutist doubles on piccolo. Duration: 12:00. Commissioned by the Department of Culture’s Activities of the University of Puerto Rico for the Aulos quintet. See also: http://library.newmusicusa.org/AngelLuisOlmeda

Olsen, Carl Gustav Sparre (1903-1984)

Quintet for Winds, Op. 35

Drammen, Norway: Harald Lyche Musikkforlag, 1950 (C. F. Peters, agents)

Clarinet in A. Duration: 11:00. 3 movements. Originally entitled “Divertimento.”

Arthur Cohn, The Literature of Chamber Music, describes this as “Twentieth-century classical tonalism….”

Three pieces for Wind Quintet (Tre stykker for blåsekvintett), Op. 59 (1971)

Oslo: NB noter (Contemporary Norwegian sheet music)

Olsen, James (1982- )

Imbroglio (1998)

British Music Information Center, http://www.bmic.co.uk/

Duration: 10:00. First performed and recorded by the Galliard Ensemble on the London Meridian label in 2000.

Olsson, Sture (1919-1987)

Kvintett (1975)

Stockholm: Svensk Musik

Description of an Impression for woodwinds and percussion (1979)

Svensk Music (SMIC)

For flute doubling on piccolo and alto flute; oboe doubling English horn; clarinet doubling bass clarinet; bassoon doubling contrabassoon, horn and percussion. Percussion includes: snare drum, xylophone, marimba, vibraphone, 5 toms, cymbals, wood block plus a “sanza“ (?) in the horn part, a strung rattle in the oboe part, a sizzle cymbal in the clarinet part, and a frame drum in the flute part.Duration: 12:00. A PDF of the score may be downloaded from http://www.mic.se/avd/mic/prod/micpdf.nsf/dl/19415f1.pdf/$file/19415f1.pdf

Oltra (i Ferrer), Manuel (1922- )

Doble 5 Suite for woodwind quintet and string orchestra (1962)

Barcelona: Boileau, 2009

Movements: Pastoral; Infantil; Burlesca; Elegiaca; Festiva.

O’Meagher, Hugh

Woodwind Quintet (1963)

Source: Washington, DC: Library of Congress

Omer, Shlomo (1943- )

Memories 76 (1996)

Tel Aviv: Israel Music Center

Duration: 16:00.

O’Neill, John

Cops and Robbers, A Merry Chase

Imagine Music; see also: Boston, MA.: Ione Press

Duration: 2:20. Inspired by the Keystone Kops.

Onslow, Georg (André George Louis Onslow) (1784-1853)

Quintet in F Major, Op. 81, No. 1 (1850)

Leipzig: Chez Fr. Kistner (with Paris: Chez Brandus & Cie.), 1852

Possibly published by: New York: McGinnis & Marx Music Pub.

Edition Silvertrust, http://www.editionsilvertrust.com/onslow-wind-quintet-op81.htm

The work was dedicated to Dorus [flutist Louis Dorus], the Verroust brothers [oboist Stanislas Verroust and bassoonist Charles Verroust], Leroy [possibly either Leon Leroy or Henri Leroy, clarinetist] and Menga [likely the hornist for the premiere]. Duration: 23:10. Movements: 1. Allegro non troppo; 2. Scherzo. Energico; 3. Andante sostenuto; 4. Finale. Allegro spirituoso. [The Silvertrust edition lists the third movement as Larghetto.] Parts available for free download from the International Music Score Library Project:
http://imslp.org/wiki/Wind_Quintet,_Op.81_(Onslow,_George) (These parts are for Quintet in F Major, which is presumably Op. 81, No. 1, although it is just marked Op. 81 with no number.)

Onslow was a student of Anton Reicha. An accomplished composer and musician who was wealthy enough not to require making his living as a musician, Onslow composed mostly chamber music works for strings, although he also wrote 4 symphonies and 4 operas. The IMSLP site allows you listen to a live performance of the work by Soni Ventorum, which illustrates Reicha’s influence (especially in its classical formal structure and the contrapuntal flow between instruments). To my ear, it sounds like a nice transitional work between Reicha and Taffanel, style-wise — right where it should be chronologically. Sounds like it would be fun to perform for the professional or advanced student quintet! ¶ There is contradicting evidence over whether Op. 81 was a single quintet or included 3 quintets. Most lists of Onslow’s works (including Grove’s, the Association George Onslow, Wikipedia (English), and the International Music Score Library Project) only list the Quintet in F Major in Op. 81. However, a few sources (see below) maintain that there were 3 quintets included in the opus and even list publishers. [ Andrew Brandt ]

Quintett, Op. 81, No. 2 (1850?)

Leipzig: Fr. Kistner & C.F.W. Siegel (ca. 1852) /

Kassel: Kammermusik Verlag, 2006

Copy in Indiana University Music Library, Bloomington.

Blaserquintett F-dur, Op. 81, No. 3 (1850?)

Leipzig: F. Kistner, 1851

New York: McGinnis & Marx

Munchen: F.E.C. Leuckart 1956

also:

Nonet in A Major, Op. 77 (1848) for woodwind quintet, violin, viola, cello, bass

Paris: Brandus et Cie. (ca. 1848)

Edition Silvertrust, http://www.editionsilvertrust.com

Movements: 1. Allegro spiritoso; 2. Scherzo: Agitato; 3. Tema con variazioni: Andantino con moto; 4. Finale: Largo – Allegretto quasi Allegro. The complete parts may now be downloaded from the International Music Score Library Project at http://imslp.org/wiki/Nonet,_Op.77_(Onslow,_George) . Although the original score is for Clarinet in C, the clarinet part has been transposed for Clarinet in B♭ by Stefan Dickmann, also available at the same link. Onslow also arranged this for sextet with piano (see the following link).

See Onslow’s works for winds and piano.

Opdal, Per Snorre (1941- )

Sentiment (1983)

Oslo: NB noter (Contemporary Norwegian sheet music)

Duration: 5:40. Premiered in 1984 by the Namsos Blaringsekvintett.

The publisher NB Noter offers PDF sample scores and parts for immediate inspection on their website (something more publishers should do). Although I only quickly sampled three quintets, it appears that these works are simple, short, easy (and often slow) works, perhaps intended for student ensembles, appropriate for training in intonation, balance, dynamics and harmony. But it’s dangerous to make conclusions from such a small (and quickly viewed) sample, so I encourage you to check, yourself. [ Andrew Brandt ]

Kontura (2004)

Oslo: NB Noter

Duration: 3:40.

Les Sujets (2005)

Oslo: NB Noter

Duration: 4:30.

Fanfare (2012)

Oslo: Norsk Musikkinformasion (Norwegian Music Information Centre), 2013

Duration: 1:05.

Sence of Dawn (2017)

Oslo: NB Noter

Duration: 7:00. Title might be a misspelling of “Sense”.

Opitz, Erich (1912-2001)

Blaserquintett (1956)

Manuscript: Steirischer Tonkunstlerbund, Graz, Austria

Sonatina a Cinque (1969)

Manuscript: Steirischer Tonkunstlerbund, Graz, Austria

Epigramme (1970)

Manuscript: Steirischer Tonkunstlerbund, Graz, Austria

Oralogio, Alessandro (1550-1633)

Intradae quinque et sex vocibus (Five Intradas and Six Voices)

Adliswil, Switzerland: Pizzicato Verlag Helvetia

Apparently arranged to be performed by ensemble with children’s voices. Exact performance requirements are not clear in the online catalog but it appears that it can be performed by a woodwind quintet, a woodwind sextet, or a brass sextet.

Orbán, György (1947- )

Fúvósötös (Wind Quintet) (1985)

London: Boosey & Hawkes

Budapest: Editio Musica Budapest, 1988

Uses clarinet in A. Duration: 12:00. 3 movements. Premiered November 20, 1986 by the Wind Quintet of the Hungarian Radio.

Barbera Secrist-Schmedes, in Wind Chamber Music, contends “This work shows the strong influence of Stravinsky and Bartok as well as of Jazz and circus music.”

also:

Triple Sextet (1980)

Budapest: Editio Music Budapest, 1986

One of Orbán’s better known works, it is score for three groups of instruments. Woodwinds: 2 flutes (piccolo), oboe, 2 clarinets (bass clarinet); and bassoon; Percussion: Percussion instruments, harp, cembalo, cimbalon?, prepared miniature piano, and (normal) piano; and Strings: 2 violins, viola, 2 cellos and double bass.

Ore, Cecilie (1954- )

Helices (1984)

Oslo: Norsk musikforlag, 1988

Duration: 8:15. Commissioned by the Bergen Chamber Music Society.

Orff, Carl (1895-1982)

Carmina Burana, Canciones profane for double woodwind quintet (arr. Friedrich Wanek)

Mainz: B. Schott Sohne

Movements: 1. Fortune plango vulnera; 2. In trutina; 3. Dance; 4. Amor volat undique; 5. In taberna. Recorded by the Bläser-Ensemble Mainz (in 1990). Duration: 15:00.

Selections from Carmina Burana for woodwind quintet and doublebass(arr. Waneck)

Movements: Fortune plango vulnera; In trutina; Tanz; Amor volat undique; In taberna Performed by Windscape.

Orgad, Ben-Zion (1926-2006)

Nofim, le-hamishit kele neshifah me’etz (Landscapes) (1969)

Tel-Aviv, Israel: Israel Music Institute, 1975

Duration: 9:00.

An Exposition (1995)

Tel Aviv: Israel Music Institute, https://www.imi.org.il/

Duration: 4:00.

also:

Back to Suafir for voice, woodwind quintet, string quintet and percussion

Tel-Aviv: Israel Music Institute, 1997

Siphonic Movement (1999) for woodwind quintet, brass quintet, percussion and 2 string quintets

Tel Aviv: Israel Music Institute

Orland, Max

Dogfight (2011)

Peformed by the Washington Square Winds. A recording of the work is available on SoundCloud.

Orlando, Michele (1887-after 1950)

Interludio Sinfonico

Suite

Quintet (1932)

Orlando was a Finnish flutist of Italian birth performing with the Helsinki Philharmonic from 1915-1951. Yes, even with the name Michele, he appears to have been male.

Orlinski, Heinz Bernhard(1928-2012)

Sonata (1967) for double woodwind quintet

Svensk Music (was SMIC)

Ørskov, Rasmus (1984- )

Wind Quintet (2009)

Score and parts available under the Creative Commons license from: http://imslp.org/wiki/Wind_Quintet_(%C3%98rskov,_Rasmus) . Uses Clarinet in A.

Orr, Buxton(1924-1997)

Sonata per Dieci (1967) for double woodwind quintet

Gamber Press

2^nd flute doubles on piccolo; 2^nd doubles English horn; 2^nd clarinet doubles bass clarinet. Movements: Intrada; Sonata; Intermezzo; Antifon; Rondo finale. For program notes, see Catherine Gerhart’s Annotated Bibliography of Double Wind Quintet Music

Ortega-Miranda, Chañaral (1973- )

L’extraordinaire aventure arrivée à Vladimir Maïakovski en été, à la campagne (1998) for woodwind quintet and baritone (voice)

Setting of a poem by Vladimir Maïakovski in French. Duration: 15:00. See also: https://ortega-miranda.com/

Ortis, Luciano

Entfaltungszeiten (1974)

Herrenberg: Gotthard von Doring

Duration: 8:00.

Ortiz, Gabriela(1964- )

Puzzle–Tocas (2000)

New York: Project Schott New York, 2016, https://www.eamdc.com/psny/composers/gabriela-ortiz/works/puzzle-tocas/

Flutist doubles on piccolo. Duration: 11:00. Commissioned by the Quinteto de Alientos de la Ciudad de México (Mexico City Woodwind Quintet). See also: http://www.gabrielaortiz.com

also:

Apariciones (1990) for woodwind quintet and string quintet

Duration: 11:00.

Ortiz (Alvarado), William (1947- )

Obra Publica (1992)

New York: American Music Center

Duration: 8:00. See also: http://www.williamortiz.com/

According to Donald Thompson’s article in Grove Music Online, Ortiz is a Puerto Rican composer raised in New York City. Many of his works reflect the street music of Hispanic and Black-American street culture. The title suggests that influence, although I cannot confirm that. [ Andrew Brandt ]

Ortiz also has a Caribe Urbano for woodwinds and piano.

Osborn, Sean (1966- )

The Machine

Octogram Press, 2002

The composer describes this as “4 min. of heavy metal for winds.”

Deck the Halls Carol

http://www.osbornmusic.com/

Variations on the Twelve Days of Christmas

http://www.osbornmusic.com/

Come All Ye Shepherds / Carol of the Bells

http://www.osbornmusic.com/

See also Osborn’s various arrangements (for Ravel, Mozart, Grieg, J.S. Bach, Byrd)

Osborne, Nigel(1948- )

Albanian Nights (1991) for double woodwind quintet

Vienna: Universal Edition

Duration: 12:00.

Osjetrova-Jakoleva, Nina Alexandrovna (also spelled Osetrova-Yakovlieva) (1923-1972)

Blaserquintett (1947)

Osmon, Leroy

Music for Five Winds

San Antonio, Tex.: RBC Publications

Movements: I. A Waltz (for my mother); II. Pastorale (for Missy); III. March (to David and Alice, “for happy summer days gone by”). Performed and recorded by the Cumberland Quintet at Tennessee Technological University. Links to the recording are available on the composer’s website: http://leroyosmon.com/

Osokin, Michal (Mikhail) (1903- ?)

Poetische Bilder “Aus vergangener Zeit”

Moscow: Soviet Central Publisher

Not to be confused with the Soviet journalist Mikhail Osokin, born 1952 or the Russian hockey player of the same name.

Ossinsky, Louis (1931-2011)

Suite (1955)

Copy located in the Library of Congress in Washington, DC.

Ostendorf, Jens-Peter (1944-2006)

1. Blaserquintett (First Wind Quintet) (1967)

Hamburg: Hans Sikorski, 1970

Duration: 9:20. I have found no evidence of any subsequent woodwind quintet by Ostendorf.

Osterc, Slavko (1895-1941)

Kvintet za pihala (Quintet for wind instruments) (1932)

Ljubljana: Edicije Društvo slovenskih skladateljev, 1973

Society of Slovene Composers, www.dss.si

Hans Gerig Musikverlag (see Breitkopf & Härtel)

Duration: 11:00.

also:

Nonet (1937) for woodwind quintet, violin, viola, cello and bass

Ljubljana: Društvo slovenskih skladateljev, 1965

Movements: Moderato; Allegro con brio. Recorded by RTV Ljubljana.

Ostijn, Willy(1913-1993)

Fantasia, for wind quintet (1975)

A Belgian composer, his compositional style has been called Romantic.

Oswald, John (1953- ) editor?

Early 20^th Century Woodwind Quintet (1994)

Toronto: Canadian Music Center

Citation gives no explanation of the title. Nor does it explain, for sure, whether it’s a composition, a collection, or a treatise. (I’m leaning toward the treatise.)

Oswald, Rebecca

Aesop’s Fables for woodwind quintet with narration (1999)

Swirly Music, https://www.swirlymusic.org/

Duration: 12:00. “Five of Aesop’s Fables are told in this work. Each movement has two main characters, highlighted by a different pairing of instruments. Audiences of all ages enjoy this work. It is an excellent vehicle for demonstrating the unique voice and personality of the different instruments of the woodwind quintet.” Movements: I. The Ant and the Grasshopper; II. The Town Mouse and the Country Mouse; III. The Hare and the Tortoise; IV. The Wind and the Sun; V. The Lion and the Mouse. Recorded by the Arrieu Quintet in 2013 and the individual movements are available on YouTube. there is also a recording in Italian by Quintetto Andersen. See also: http://www.rebeccaoswald.com/

Oteri, Frank J. (1964- )

circles mostly in wood, a wind quintet in 1/4 tones (2002)

New York: American Music Center

Duration: 20:00. See program notes and scores at https://www.fjoteri.com/circles-mostly-in-wood

Ots, Kharp (Отс, Харп)

Plesy (Pieces for Wind Quintet)

Moscow: Sovetskii kompozitor, 1960

Movements: (in English) March; Elegy; Humoresque. Recorded on the Bulgarian label Balkanton in the 1970s by the Sofiiski Woodwind Quintet. Title also listed as Piesi and as P’esy.

Finding information about this composer is even more difficult than finding information about the quintet. There is a pretty good chance that the name Kharp Ots was the Russian equivalent for the Estonian composer, Harri Otsa below and this work might even be the 1958 Suite listed under his name. Although the publisher Sovetskii kompozitor no longer exists, it seems this work was well distributed to academic libraries around the world. [ Andrew Brandt ]

Otsa, Harri (1926-2001)

Suite (Süit) (1958)

Manuscript. See the Estonian Music Information Centre: http://www.emic.ee/

Movements: 1. Quasi marcia; 2. Elegy; 3. Intermezzo; 4. Humoresque. It was included in a recording of the woodwind quintet of the State Philharmonic of the Estonian SSR (back before the Soviet Union breakup), recorded by S. Saulus, flute; H. Värv, oboe; R. Karin, clarinet; E. Saanpere, bassoon; and U. Uustalu, horn.

Wind Quintet (Puhkpillikvintett) (1970)

Manuscript: University of Wisconsin ?

Copy of the manuscript in the Estonian Theatre and Music Museum, see also http://www.emic.ee

Movements: 1. Con humore; 2. Improvisata; 3. Rondo. Finale.

Three Pieces

Editions Viento, see TrevCo Music Publishing

5 Musical Fuilletons (5 muusikalist följetoni) (1972)

Manuscript only?, see http://www.emic.ee/

Duration: 11:00. Movements: 1. Andantino; 2. Allegretto; 3. Allegro; 4. Moderato; 5. Moderato.

Ott, David (Lee) (1947- )

Sabado for Woodwind Quintet (1985)

Unable to confirm this work in 2022.

Gathering of the Waters (2011)

World premiere performed and recorded by the Wingra Woodwind Quintet at the University of Wisconsin–Madison in 2011. See also: https://davidottcomposer.com/

Ott, Daniel(1975- )

Variable Winds (2015)

Duration: 10:43. Written for and recorded by for the Quintet of the Americas. Available on YouTube https://www.youtube.com/watch?v=rOSIt4ohPNM late in the video recital. See also: https://www.danielottmusic.com/ . This Daniel Ott is the American composer, not to be confused with the Swiss composer of the same name born in 1960.

Ott, Joseph (1929-1990)

8:11:73 (1973)